English poetry -- 20th century; Rosenberg, Isaac, 1890-1918
“My sisters force their males
From the doomed earth, from the doomed glee
And hankering of hearts.
Frail hands gleam up through the human quagmire, and lips of ash
Seem to wail, as in sad faded paintings
Far-sunken and strange.
My sisters have their males
Clean of the dust of old days
That clings about those white hands
And yearns in those voices sad:
But these shall not see them,
Or think of them in any days or years;
They are my sisters’ lovers in other days and years.”
ON RECEIVING THE FIRST NEWS OF THE WAR
Snow is a strange white word;
No ice or frost
Has asked of bud or bird
For Winter’s cost.
Yet ice and frost and snow
From earth to sky
This Summer land doth know;
No man knows why.
In all men’s hearts it is:
Some spirit old
Hath turned with malign kiss
Our lives to mould.
Red fangs have torn His face,
God’s blood is shed:
He mourns from His lone place
His children dead.
O ancient crimson curse!
Corrode, consume;
Give back this universe
Its pristine bloom.
_Cape Town, 1914._
SPRING, 1916
Slow, rigid, is this masquerade
That passes as through a difficult air:
Heavily—heavily passes.
What has she fed on? Who her table laid
Through the three seasons? What forbidden fare
Ruined her as a mortal lass is?
I played with her two years ago,
Who might be now her own sister in stone;
So altered from her May mien,
When round the pink a necklace of warm snow
Laughed to her throat where my mouth’s touch had gone.
How is this, ruined Queen?
Who lured her vivid beauty so
To be that strained chill thing that moves
So ghastly midst her young brood
Of pregnant shoots that she for men did grow?
Where are the strong men who made these their loves?
Spring! God pity your mood!
THE TROOP SHIP
Grotesque and queerly huddled
Contortionists to twist
The sleepy soul to a sleep,
We lie all sorts of ways
And cannot sleep.
The wet wind is so cold,
And the lurching men so careless,
That, should you drop to a doze,
Winds’ fumble or men’s feet
Are on your face.
MARCHING
(AS SEEN FROM THE LEFT FILE).
Public-domain text, read in full here on John Shaqi.
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