English poetry -- 20th century; Rosenberg, Isaac, 1890-1918
Birds sing to the blossoms,
Blind, dreaming your pink;
These blush to the songsters,
Your music they think:
So well had you taught them
To look and to sing,
Your bloom and your music,
The ways of the Spring.
SONG
A silver rose to show
Is your sweet face;
And like the heavens’ white brow,
Sometime God’s battle-place,
Your blood is quiet now.
Your body is a star
Unto my thought;
But stars are not too far,
And can be caught—
Small pools their prisons are.
HEART’S FIRST WORD. I.
To sweeten a swift minute so
With such rare fragrance of sweet speech,
And make the after hours go
In a blank yearning each on each;
To drain the springs till they be dry,
And then in anguish thirst for drink;
So but to glimpse her robe thirst I,
And my soul hungers and I sink.
There is no word that we have said
Whereby the lips and heart are fire;
No look the linked glances read
That held the springs of deep desire.
And yet the sounds her glad lips gave
Are on my soul vibrating still;
Her eyes that swept me as a wave
Shine my soul’s worship to fulfil.
Her hair, her eyes, her throat and chin—
Sweet hair, sweet eyes, sweet throat, so sweet,
So fair because the ways of sin
Have never known her perfect feet—
By what far ways and marvellous
May I such lovely heaven reach?
What dread, dark seas and perilous
Lie ’twixt love’s silence and love’s speech?
HEARTS FIRST WORD. II.
And all her soft dark hair
Breathed for him like a prayer,
And her white lost face
Was prisoned to some far place.
Love was not denied—
Love’s ends would hide,
And flower and fruit and tree
Were under its sea.
Yea, its abundance knelt
Where the nerves felt
The springs of feeling flow
And made pain grow!
There seemed no root or sky,
But a pent infinity
Where apparitions dim
Sculptured each whim
In flame and wandering mist
Of kisses to be kist.
LADY, YOU ARE MY GOD
Public-domain text, read in full here on John Shaqi.
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