English poetry -- 20th century; Rosenberg, Isaac, 1890-1918
The poems collected in this volume speak for themselves. The
obscurities, the straining and tormenting of language in the effort to
find right expression, the immaturities of style and taste, are apparent
on the surface. The imaginative conceptions and the frequent gleam of
imaginative phrasing should be equally apparent. But what does not
appear on the surface is the fine intention, the ardent toil, and the
continual self-criticism which underlay his work. Rosenberg’s aim was,
in his own words, a kind of poetry “where an interesting complexity of
thought is kept in tone and right value to the dominating idea so that
it is understandable and still ungraspable.” The sentence occurs in one
of his letters, and from this point on I wish to let Rosenberg speak for
himself. His letters give a picture both of his mind and character, far
more vivid than anything one could write about him. He very rarely dated
a letter, but the address and internal evidence give a clue to the date.
The first extract is from a letter written, while he was still an
apprentice, to Miss Winifreda Seaton, a friend to whom Mr. Amschewitz
introduced him. Miss Seaton lent him books, encouraged him to write,
discussed art and literature with him, and criticized his poems.
“It is horrible to think that all these hours, when my days are full of
vigour and my hands and soul craving for self-expression, I am bound,
chained to this fiendish mangling-machine, without hope and almost
desire of deliverance, and the days of youth go by.... I have tried to
make some sort of self-adjustment to circumstances by saying, ‘It is all
_experience_’; but, good God! it is _all_ experience, and nothing
else.... I really would like to take up painting seriously; I think I
might do something at that; but poetry—I despair of ever writing
excellent poetry. I can’t look at things in the simple, large way that
great poets do. My mind is so cramped and dulled and fevered, there is
no consistency of purpose, no oneness of aim; the very fibres are torn
apart, and application deadened by the fiendish persistence of the coil
of circumstance.”
At last the apprenticeship is over and Rosenberg writes[1] exulting:
“Congratulate me! I’ve cleared out of the —— shop, I hope for good and
all. I’m free—free to do anything, hang myself or anything except
work.... I’m very optimistic, now that I don’t know what to do, and
everything seems topsy-turvy.”
Footnote 1:
This and the following extracts are from letters to the same
correspondent.
A little later comes the reaction:
Public-domain text, read in full here on John Shaqi.
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