American poetry -- 19th century; Spiritualism -- Poetry
How far I have ever written, independent of these higher influences, I
cannot say; I only know that all the poems under my own name have come
from the deep places of my “Inner Life;” and in that self-same sacred
retreat--which I have entered either by the intense concentration of all
my intellectual powers, or a passive surrender to the inspirations that
moved upon me--I have held conscious communion with disembodied spirits.
At such times it has been said I was “entranced;” and although that term
does not exactly express my idea, perhaps it is the best which can yet
be found in our language. The avenues of external sense, if not entirely
closed, were at least disused, in order that the spiritual perceptions
might be quickened to the required degree, and also that the world of
causes, of which earth and its experiences are but the passing effects,
might be disclosed to my vision. Certain it is that a physical change
took place, affecting both my breathing and circulation, and my
clairvoyant powers were so strengthened that I could dimly perceive
external objects from the frontal portion of my brain, even with my eyes
closed and bandaged; also, in that state, any excess of light was far
more painful than under ordinary conditions. If the communications given
through my instrumentality have been weak, erroneous, and imperfect, it
is no fault of my spirit-teachers, but arises rather from my own
inability to understand or clearly express what was communicated to me.
In relation to the poems given under direct spirit-influence I would
say, that there has been a mistake existing in many minds concerning
them, which I take the present opportunity, as far as possible, to
correct. They were not like lightning flashes, coming unheralded, and
vanishing without leaving a trace behind. Several days before they were
given, I would receive intimations of them. Oftentimes, and particularly
under the influence of Poe, I would awake in the night from a deep
slumber, and detached fragments of those poems would be floating through
my mind, though in a few moments after they would vanish like a dream. I
have sometimes awakened myself by repeating them aloud. I have been
informed, also, by these influences, that all their poems are as
complete and finished in spirit-life as they are in this, and the only
reason why they cannot be repeated again and again is because of the
difficulty of bringing a human organism always into the same state of
exaltation--a state in which mediums readily receive inspiration, and
render the poems with the least interference of their own intellect.
Public-domain text, read in full here on John Shaqi.
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