Baudelaire, Charles, 1821-1867 -- Translations into English; French literature -- Translations into English
Dreams, dreams ever! and the more delicate and ambitious the
soul, the further do dreams estrange it from possible things.
Every man carries within himself his natural dose of opium,
ceaselessly secreted and renewed, and, from birth to death, how
many hours can we reckon of positive pleasure, of successful
and decided action? Shall we ever live in, shall we ever pass
into, that picture which my mind has painted, that picture made
in your image?
These treasures, this furniture, this luxury, this order, these
odours, these miraculous flowers, are you. You too are the
great rivers and the quiet canals. The vast ships that drift
down them, laden with riches, from whose decks comes the sound
of the monotonous songs of labouring sailors, are my thoughts
which slumber or rise and fall on your breast. You lead them
softly towards the sea, which is the infinite, mirroring the
depths of the sky in the crystal clearness of your soul; and
when, weary of the surge and heavy with the spoils of the East,
they return to the port of their birth, it is still my thoughts
that come back enriched out of the infinite to you.
IV
The Eyes of the Poor
Ah! you want to know why I hate you to-day It will probably be
less easy for you to understand than for me to explain it to
you; for you are, I think, the most perfect example of feminine
impenetrability that could possibly be found.
We had spent a long day together, and it had seemed to me
short. We had promised one another that we would think the same
thoughts and that our two souls should become one soul; a dream
which is not original, after all, except that, dreamed by all
men, it has been realised by none.
In the evening you were a little tired, and you sat down
outside a new café at the corner of a new boulevard, still
littered with plaster and already displaying proudly its
unfinished splendours. The café glittered. The very gas put on
all the fervency of a fresh start, and lighted up with its full
force the blinding whiteness of the walls, the dazzling sheets
of glass in the mirrors, the gilt of cornices and mouldings,
the chubby-cheeked pages straining back from hounds in leash,
the ladies laughing at the falcons on their wrists, the nymphs
and goddesses carrying fruits and pies and game on their heads,
the Hebes and Ganymedes holding out at arm's-length little jars
of syrups or parti-coloured obelisks of ices; the whole of
history and of mythology brought together to make a paradise
for gluttons. Exactly opposite to us, in the roadway, stood
a man of about forty years of age, with a weary face and a
greyish beard, holding a little boy by one hand and carrying on
the other arm a little fellow too weak to walk. He was taking
the nurse-maid's place, and had brought his children out for
a walk in the evening. All were in rags. The three faces were
extraordinarily serious, and the six eyes stared fixedly at
the new café with an equal admiration, differentiated in each
according to age.
Public-domain text, read in full here on John Shaqi.
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