American poetry -- 19th century; Timrod, Henry, 1828-1867; United States -- History -- Civil War, 1861-1865 -- Poetry -- Confederate
As in his poetry there is no false note, no doubtful sentiment, no
selfish grief, even when he sings with breast against the thorn, so in
his life do we find no word of bitterness or moaning or complaining.
Even amid the terrible blight of war and its final utter ruin,
prophet-like, he speaks in faith and hope and courage. His own
heart breaking, and life ebbing, he writes of Spring as the true
Reconstructionist, and pleads her message to his stricken people. It is
so true and prophetic that we quote the words written in April, 1866.
"For Spring is a true Reconstructionist,--a reconstructionist in the
best and most practical sense. There is not a nook in the land in which
she is not at this moment exerting her influence in preparing a way for
the restoration of the South. No politician may oppose her; her power
defies embarrassment; but she is not altogether independent of help. She
brings us balmy airs and gentle dews, golden suns and silver rains; and
she says to us, 'These are the materials of the only work in which you
need be at present concerned; avail yourselves of them to reclothe your
naked country and feed your impoverished people, and you will find that,
in the discharge of that task, you have taken the course which will
most certainly and most peacefully conduct you to the position which you
desire. Turn not aside to bandy epithets with your enemies; stuff your
ears, like the princess in the Arabian Nights, against words of insult
and wrong; pause not to muse over your condition, or to question your
prospects; but toil on bravely, silently, surely....'
"Such are the words of wise and kindly counsel, which, if we attend
rightly, we may all hear in the winds and read in the skies of Spring.
Nowhere, however, does she speak with so eloquent a voice or so pathetic
an effect as in this ruined town. She covers our devastated courts with
images of renovation in the shape of flowers; she hangs once more in our
blasted gardens the fragrant lamps of the jessamine; in our streets
she kindles the maple like a beacon; and from amidst the charred and
blackened ruins of once happy homes she pours, through the mouth of her
favorite musician, the mocking-bird, a song of hope and joy. What is the
lesson which she designs by these means to convey? It may be summed in a
single sentence,--forgetfulness of the past, effort in the present, and
trust for the future."
Such was the lofty creed and last hopeful, but dying message to his
brothers of the South, whose war songs he had written, and the requiem
of whose martyred hosts he had chanted.
Such was the tragedy that ended in October, 1867, with the hero at the
age of thirty-seven; glory, genius, anguish, tears, but unconquerable
faith and heroic fortitude. His larger life scarce begun, his full power
felt, but only half expressed, he realized deeply--
"The petty done, the vast undone!"
Public-domain text, read in full here on John Shaqi.
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