American poetry -- 19th century; Timrod, Henry, 1828-1867; United States -- History -- Civil War, 1861-1865 -- Poetry -- Confederate
"A true poet is one of the most precious gifts that can be bestowed on
a generation." He speaks for it and he speaks to it. Reflecting and
interpreting his age and its thoughts, feelings, and purposes, he speaks
for it; and with a love of truth, with a keener moral insight into the
universal heart of man, and with the intuition of inspiration, he speaks
to it, and through it to the world. It is thus
"The poet to the whole wide world belongs,
Even as the Teacher is the child's."
"Nor is it to the great masters alone that our homage and thankfulness
are due. Wherever a true child of song strikes his harp, we love to
listen. All that we ask is that the music be native, born of impassioned
impulse that will not be denied, heartfelt, like the lark when she soars
up to greet the morning and pours out her song by the same quivering
ecstasy that impels her flight." For though the voices be many, the
oracle is one, for "God gave the poet his song."
Such was Henry Timrod, the Southern poet. A child of nature, his song
is the voice of the Southland. Born in Charleston, S.C., December 8th,
1829, his life cast in the seething torrent of civil war, his voice was
also the voice of Carolina, and through her of the South, in all the
rich glad life poured out in patriotic pride into that fatal struggle,
in all the valor and endurance of that dark conflict, in all the gloom
of its disaster, and in all the sacred tenderness that clings about its
memories. He was the poet of the Lost Cause, the finest interpreter of
the feelings and traditions of the splendid heroism of a brave people.
Moreover, by his catholic spirit, his wide range, and world-wide
sympathies, he is a true American poet.
The purpose of the _TIMROD MEMORIAL ASSOCIATION_ of his native city and
State, in undertaking this new edition of his poems, is to erect a
suitable public memorial to the poet, and also to let his own words
renew and keep his own memory in his land's literature.
The earliest edition of Timrod's poems was a small volume by Ticknor &
Fields, of Boston, in 1860, just before the Civil War. This contained
only the poems of the first eight or nine years previous, and was warmly
welcomed North and South. The "New York Tribune" then greeted this small
first volume in these words: "These poems are worthy of a wide audience,
and they form a welcome offering to the common literature of our
country."
In this first volume was evinced the culture, the lively fancy, the
delicate and vigorous imagination, and the finished artistic power
of his mind, even then rejoicing in the fullness and freshness of its
creations and in the unwearied flow of its natural music. But it fell
then on the great world of letters almost unheeded, shut out by the war
cloud that soon broke upon the land, enveloping all in darkness.
Public-domain text, read in full here on John Shaqi.
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