Poems of Nature, Poems Subjective and Reminiscent and Religious Poems, Complete: Volume II of The Works of John Greenleaf WhittierWhittier, John Greenleaf
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Poems of Nature, Poems Subjective and Reminiscent and Religious Poems, Complete: Volume II of The Works of John Greenleaf Whittier
Whittier, John Greenleaf
American poetry -- 19th century
But never yet from smiling river,
Or song of early bird, have they
Been greeted with a gladder welcome
Than whispers from my heart to-day.
They break the spell of cold and darkness,
The weary watch of sleepless pain;
And from my heart, as from the river,
The ice of winter melts again.
Thanks, Mary! for this wild-wood token
Of Freya's footsteps drawing near;
Almost, as in the rune of Asgard,
The growing of the grass I hear.
It is as if the pine-trees called me
From ceiled room and silent books,
To see the dance of woodland shadows,
And hear the song of April brooks!
As in the old Teutonic ballad
Of Odenwald live bird and tree,
Together live in bloom and music,
I blend in song thy flowers and thee.
Earth's rocky tablets bear forever
The dint of rain and small bird's track
Who knows but that my idle verses
May leave some trace by Merrimac!
The bird that trod the mellow layers
Of the young earth is sought in vain;
The cloud is gone that wove the sandstone,
From God's design, with threads of rain!
So, when this fluid age we live in
Shall stiffen round my careless rhyme,
Who made the vagrant tracks may puzzle
The savants of the coming time;
And, following out their dim suggestions,
Some idly-curious hand may draw
My doubtful portraiture, as Cuvier
Drew fish and bird from fin and claw.
And maidens in the far-off twilights,
Singing my words to breeze and stream,
Shall wonder if the old-time Mary
Were real, or the rhymer's dream!
1st 3d mo., 1857.
THE OLD BURYING-GROUND.
Our vales are sweet with fern and rose,
Our hills are maple-crowned;
But not from them our fathers chose
The village burying-ground.
The dreariest spot in all the land
To Death they set apart;
With scanty grace from Nature's hand,
And none from that of Art.
A winding wall of mossy stone,
Frost-flung and broken, lines
A lonesome acre thinly grown
With grass and wandering vines.
Without the wall a birch-tree shows
Its drooped and tasselled head;
Within, a stag-horned sumach grows,
Fern-leafed, with spikes of red.
There, sheep that graze the neighboring plain
Like white ghosts come and go,
The farm-horse drags his fetlock chain,
The cow-bell tinkles slow.
Low moans the river from its bed,
The distant pines reply;
Like mourners shrinking from the dead,
They stand apart and sigh.
Unshaded smites the summer sun,
Unchecked the winter blast;
The school-girl learns the place to shun,
With glances backward cast.
For thus our fathers testified,
That he might read who ran,
The emptiness of human pride,
The nothingness of man.
Public-domain text, read in full here on John Shaqi.
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