Poems of Nature, Poems Subjective and Reminiscent and Religious Poems, Complete: Volume II of The Works of John Greenleaf WhittierWhittier, John Greenleaf
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Poems of Nature, Poems Subjective and Reminiscent and Religious Poems, Complete: Volume II of The Works of John Greenleaf Whittier
Whittier, John Greenleaf
American poetry -- 19th century
The grass is browning on the hills;
No pale, belated flowers recall
The astral fringes of the rills,
And drearily the dead vines fall,
Frost-blackened, from the roadside wall.
Yet through the gray and sombre wood,
Against the dusk of fir and pine,
Last of their floral sisterhood,
The hazel's yellow blossoms shine,
The tawny gold of Afric's mine!
Small beauty hath my unsung flower,
For spring to own or summer hail;
But, in the season's saddest hour,
To skies that weep and winds that wail
Its glad surprisals never fail.
O days grown cold! O life grown old
No rose of June may bloom again;
But, like the hazel's twisted gold,
Through early frost and latter rain
Shall hints of summer-time remain.
And as within the hazel's bough
A gift of mystic virtue dwells,
That points to golden ores below,
And in dry desert places tells
Where flow unseen the cool, sweet wells,
So, in the wise Diviner's hand,
Be mine the hazel's grateful part
To feel, beneath a thirsty land,
The living waters thrill and start,
The beating of the rivulet's heart!
Sufficeth me the gift to light
With latest bloom the dark, cold days;
To call some hidden spring to sight
That, in these dry and dusty ways,
Shall sing its pleasant song of praise.
O Love! the hazel-wand may fail,
But thou canst lend the surer spell,
That, passing over Baca's vale,
Repeats the old-time miracle,
And makes the desert-land a well.
1874.
SUNSET ON THE BEARCAMP.
A gold fringe on the purpling hem
Of hills the river runs,
As down its long, green valley falls
The last of summer's suns.
Along its tawny gravel-bed
Broad-flowing, swift, and still,
As if its meadow levels felt
The hurry of the hill,
Noiseless between its banks of green
From curve to curve it slips;
The drowsy maple-shadows rest
Like fingers on its lips.
A waif from Carroll's wildest hills,
Unstoried and unknown;
The ursine legend of its name
Prowls on its banks alone.
Yet flowers as fair its slopes adorn
As ever Yarrow knew,
Or, under rainy Irish skies,
By Spenser's Mulla grew;
And through the gaps of leaning trees
Its mountain cradle shows
The gold against the amethyst,
The green against the rose.
Touched by a light that hath no name,
A glory never sung,
Aloft on sky and mountain wall
Are God's great pictures hung.
How changed the summits vast and old!
No longer granite-browed,
They melt in rosy mist; the rock
Is softer than the cloud;
The valley holds its breath; no leaf
Of all its elms is twirled
The silence of eternity
Seems falling on the world.
Public-domain text, read in full here on John Shaqi.
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