THE ROSY HEARTH, THE LAMPLIGHT'S NARROW BEAM
The rosy hearth, the lamplight's narrow beam,
The meditation that is rather dream,
With looks that lose themselves in cherished looks;
The hour of steaming tea and banished books;
The sweetness of the evening at an end,
The dear fatigue, and right to rest attained,
And worshipped expectation of the night,--
Oh, all these things, in unrelenting flight,
My dream pursues through all the vain delays,
Impatient of the weeks, mad at the days!
IT SHALL BE, THEN, UPON A SUMMER'S DAY
It shall be, then, upon a summer's day:
The sun, my joy's accomplice, bright shall shine,
And add, amid your silk and satin fine,
To your dear radiance still another ray;
The heavens, like a sumptuous canopy,
Shall shake out their blue folds to droop and trail
About our happy brows, that shall be pale
With so much gladness, such expectancy;
And when day closes, soft shall be the air
That in your snowy veils, caressing, plays,
And with soft-smiling eyes the stars shall gaze
Benignantly upon the wedded pair.
Romances sans Paroles
Ariettes Oubliees
Il pleut doucement sur la ville.--ARTHUR RIMBAUD
It weeps in my heart
As it rains on the town.
What is this dull smart
Possessing my heart?
Soft sound of the rain
On the ground and the roofs!
To a heart in pain,
O the song of the rain!
It weeps without cause
In my heart-sick heart.
In her faith, what? no flaws?
This grief has no cause.
'Tis sure the worst woe
To know not wherefore
My heart suffers so
Without joy or woe.
Son joyeux, importun, d'un clavecin sonore.--PETRUS BOREL
The keyboard, over which two slim hands float,
Shines vaguely in the twilight pink and gray,
Whilst with a sound like wings, note after note
Takes flight to form a pensive little lay
That strays, discreet and charming, faint, remote,
About the room where perfumes of Her stray.
What is this sudden quiet cradling me
To that dim ditty's dreamy rise and fall?
What do you want with me, pale melody?
What is it that you want, ghost musical
That fade toward the window waveringly
A little open on the garden small?
[Illustration: "Le Piano Que Baise Une Main Frele"]
Oh, heavy, heavy my despair,
Because, because of One so fair.
My misery knows no allay,
Although my heart has come away.
Although my heart, although my soul,
Have fled the fatal One's control.
My misery knows no allay,
Although my heart has come away.
My heart, the too, too feeling one,
Says to my soul, "Can it be done,
"Can it be done, too feeling heart,
That we from her shall live apart?"
My soul says to my heart, "Know I
What this strange pitfall should imply,
Public-domain text, read in full here on John Shaqi.
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