IV
And it was I who did it all,
Who did it all;
’Twas I who made the blow to fall
On him who thought no guile.
Well, it is finished—past, and he
Has left me to my misery,
And I must take my Cross on me
For wronging him awhile.
V
How gay we looked that day we wed,
That day we wed!
“May joy be with ye!” all o’m said
A standing by the durn.
I wonder what they say o’s now,
And if they know my lot; and how
She feels who milks my favourite cow,
And takes my place at churn!
VI
It wears me out to think of it,
To think of it;
I cannot bear my fate as writ,
I’d have my life unbe;
Would turn my memory to a blot,
Make every relic of me rot,
My doings be as they were not,
And what they’ve brought to me!
THE SUPPLANTER
A TALE
I
HE bends his travel-tarnished feet
To where she wastes in clay:
From day-dawn until eve he fares
Along the wintry way;
From day-dawn until eve repairs
Unto her mound to pray.
II
“Are these the gravestone shapes that meet
My forward-straining view?
Or forms that cross a window-blind
In circle, knot, and queue:
Gay forms, that cross and whirl and wind
To music throbbing through?”—
III
“The Keeper of the Field of Tombs
Dwells by its gateway-pier;
He celebrates with feast and dance
His daughter’s twentieth year:
He celebrates with wine of France
The birthday of his dear.”—
IV
“The gates are shut when evening glooms:
Lay down your wreath, sad wight;
To-morrow is a time more fit
For placing flowers aright:
The morning is the time for it;
Come, wake with us to-night!”—
V
He grounds his wreath, and enters in,
And sits, and shares their cheer.—
“I fain would foot with you, young man,
Before all others here;
I fain would foot it for a span
With such a cavalier!”
VI
She coaxes, clasps, nor fails to win
His first-unwilling hand:
The merry music strikes its staves,
The dancers quickly band;
And with the damsel of the graves
He duly takes his stand.
VII
“You dance divinely, stranger swain,
Such grace I’ve never known.
O longer stay! Breathe not adieu
And leave me here alone!
O longer stay: to her be true
Whose heart is all your own!”—
VIII
Public-domain text, read in full here on John Shaqi.
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