how many changes seen: chance days
nights, the grays of violent and tame
mixed in the time's confusion
dreamed plans, wished hopes without cease
no single piece of life sought
without delusion
and yet have loved each coming, going blaze
each phase, willed and thrilled to every flame
that brightened the illusion
then let me know death as one who foresees
breath's end to seize a new beginning
through the soul's transfusion
mood on a string
again the after rain and shine of night
when mellow yellow patternings of light
make rivers run through streets of mirrors bright
to where the air brings thought from its seclude
as though a silver magnet drew a rood
about the mind's internal solitude
then is the darkness gentle to my sight
with glossy lamps to toss me into flight
and give to sleep the freeness of a kite
that after storm can rise in amplitude
above the clinging wet still unsubdued
to sail in lonely splendor wind pursued
time is a palette
each day has its color
radiates
each day its own color
on the wheel
endlessly
and they are wrong who say
all colors are gray
they are blind
or else
unimaginatively
well I remember the primary days
the reds and yellows and blues
those brilliant saturated hues
each its own bright self
intensively
a day red as a ripe warm plum
on the mouth
staining chin and blouse with summer
while leaves on a red tree flamed
in crimson joy
shamelessly
and there were other reds
for feathers dipped in blood
to sign youth's honor on a windless sky
running over rooftops
most solemneyed
earnestly
or red for something velvet deep
over quivering flesh and trembling hair
stabbing the breath
with a wild commotion
like coroncitas on a christmas tree
ecstatically
a vivid red each time
coloring morning to evening canvas
of that particular day
connecting sleep with sleep
in the intimate dye
imperishably
yellow was first word for gold
then sun
and it was always rich
like the promise of a wedding ring
or shining birthday coin
inevitably
yellow was wish
more often than anything seen or heard
except for the canary my father kept
as his own yellow sign
pure and unalloyed
incorruptibly
mostly it was feeling
the evidence and substance in one
symbol of perfection and as rare
when harsh-cold-rough were there
it wasn't yellow
changelessly
precious as treasure
awarded by the gods to saint and hero
like the holy grail
the lost chord
those unrecoverable legends
fabulously
blue was definite
less temperamental than red
more tangible than yellow
like summer sigh or puff of winter air
the outlines of dawn to dusk
distinguishably
blue was practical and necessary
like the blueing used in my mother's wash
like smoke
water air and sky blue
for everything clear and understandable
unmistakably
Public-domain text, read in full here on John Shaqi.
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