’Tis written of the Gods of human mould,
Those Nectar Gods, of glorious stature hewn
To quicken hymns, that they did hear, incensed,
Satiric comments overbold,
From one whose part was by decree
The jester’s; but they boiled to feel him bite.
Better for them had they with Reason fenced
Or smiled corrected! They in the great Gods’ might
Their prober crushed, as fingers flea.
Crumbled Olympus when the sovereign sire
His fatal kick to Momus gave, albeit
Men could behold the sacred Mount aspire,
The Satirist pass by on limping feet.
Those Gods who saw the ejected laugh alight
Below had then their last of airy glee;
They in the cup sought Laughter’s drownèd sprite,
Fed to dire fatness off uncurbed conceit.
Eyes under saw them waddle on their Mount,
And drew them down; to flattest earth they rolled.
This know we veritable. O Sage of Mirth!
Can it be true, the story men recount
Of the fall’n plight of the great Gods on earth?
How they being deathless, though of human mould,
With human cravings, undecaying frames,
Must labour for subsistence; are a band
Whom a loose-cheeked, wide-lipped gay cripple leads
At haunts of holiday on summer sand:
And lightly he will hint to one that heeds
Names in pained designation of them, names
Ensphered on blue skies and on black, which twirl
Our hearing madly from our seeing dazed,
Add Bacchus unto both; and he entreats
(His baby dimples in maternal chaps
Running wild labyrinths of line and curl)
Compassion for his masterful Trombone,
Whose thunder is the brass of how he blazed
Of old: for him of the mountain-muscle feats,
Who guts a drum to fetch a snappish groan:
For his fierce bugler horning onset, whom
A truncheon-battered helmet caps . . .
The creature is of earnest mien
To plead a sorrow darker than the tomb.
His Harp and Triangle, in tone subdued,
He names; they are a rayless red and white;
The dawn-hued libertine, the gibbous prude.
And, if we recognize his Tambourine,
He asks; exhausted names her: she has become
A globe in cupolas; the blowziest queen
Of overflowing dome on dome;
Redundancy contending with the tight,
Leaping the dam! He fondly calls, his girl,
The buxom tripper with the goblet-smile,
Refreshful. O but now his brows are dun,
Bunched are his lips, as when distilling guile,
To drop his venomous: the Dame of dames,
Flower of the world, that honey one,
She of the earthly rose in the sea-pearl,
To whom the world ran ocean for her kiss;
He names her, as a worshipper he names,
And indicates with a contemptuous thumb.
The lady meanwhile lures the mob, alike
Ogles the bursters of the horn and drum.
Curtain her close! her open arms
Have suckers for beholders: she to this?
For that she could not, save in fury, hear
A sharp corrective utterance flick
Her idle manners, for the laugh to strike
Public-domain text, read in full here on John Shaqi.
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