Poems: With Introduction and NotesPushkin, Aleksandr Sergeevich
General
Poems: With Introduction and Notes
Pushkin, Aleksandr Sergeevich
Russian poetry -- Translations into English
30. And the second characteristic of the Anglo-Saxon race, which,
however valuable it may prove in practical life, is reflected
disastrously in its poetry, is its incapacity to appreciate true
sentiment. An Anglo-Saxon knows sentimentality when he sees it, he
knows morbidness when he sees it; but the healthy sentiment of which
these are but the diseases he is incapable of appreciating to a depth
where it would become part of his life. Hence, though a Malthus might
have written his Essay on Population anywhere, since it is a truly
cosmopolitan book, a Malthusian doctrine with all that it means and
stands for could have grown up only on British soil; and though the
warning voice against the dangers of sentimental charity (_if_ there
really be such a thing, and _if_ such a thing, supposing it to exist,
be really dangerous!) might be lifted in any land, the hard, frigid,
almost brutal doctrine of scientific charity could strike root only
in London, and blossom out in full array only in a city like Boston.
The reader will please observe that I do not here undertake to judge.
Malthusian doctrine, scientific charity, brutality of any kind may be
necessary, for aught I know. A great many well-meaning and kind-hearted
people have in sober thought decided that it often is necessary. I
am only stating what seems to me to be a fact. To me this is a most
melancholy fact; to others it may be a joyful fact. But whether joyful
or melancholy, this fact explains why so little sentiment is found
among the Anglo-Saxon poets even when they _feel_ their passions, and
do not, as is usually the case with them, reason about them, or what is
worse, compose far-fetched similes about them. Glimpses of sentiment
are of course found now and then, but only now and then. It is not
often that Wordsworth sings in such pure strains as that of the lines,--
"My heart leaps up when I behold
A Rainbow in the sky."
It is not often that Byron strikes a chord as deep as that of the lines
"In an Album:"--
"As o'er the cold, sepulchral stone,
Some name arrests the passer-by."
Public-domain text, read in full here on John Shaqi.
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