"He took me by the wrist and held me hard. Then goes he to the length of all his arm, And, with his other hand thus o'er his brow, He falls to such perusal of my face As he would draw it. Long time stayed he so. At last--a little shaking of my arm, And thrice his head thus waving up and down-- He raised a sigh so piteous and profound As it did seem to shatter all his bulk And end his being. That done, he lets me go, And with his head over his shoulder turned He seemed to find his way without his eyes; For out o' doors he went without their help, And to the last bended their light on me." In that harsh grip is anger, in that long study of her face the search for truth, in his silence the wounded pride that cannot utter his suspicions, in the triple nod the confirmation of their verity, in the sigh the efflux of his love, in the hand-shaking a farewell, and in the retroverted face a hope yet lingering but doomed to disappointment. For Ophelia still utters no word of explanation, and Hamlet the lover leaves her forever. The renunciation of Ophelia at this interview is generally conceded, but the reason assigned for it is the incompatibility of Hamlet's passion for her with his mission of revenge;--a most unsatisfactory explanation, because after the Ghost's command was laid on him he still pursued her, for it was after that that she says: "I did refuse his letters and denied his access to me." There is apparently an interval of two months between Acts I and II of Hamlet, and during this period Hamlet has evidently been brooding over his father's murder and considering the means of executing his dread command, and he has doubtless been vexing his soul over the conduct of Ophelia until he can stand the strain no longer. In immediate sequence in the play his silent interview with her follows upon her denial of herself to him, and an echo of the bitter feeling then aroused in him is subsequently heard, when he tells her that the prologue to the players' scene is brief "as woman's love";--sometimes mistakenly supposed to refer to the Queen, whose defection did not occur for more than thirty years after her marriage. If Hamlet's belief in an intrigue between her and the King be assumed, it fully explains his conduct before, at, and after his renunciation of Ophelia, and it would seem that no other theory can explain it adequately.