Poet-Lore: A Quarterly Magazine of Letters. April, May, June, 1900Various
General
Poet-Lore: A Quarterly Magazine of Letters. April, May, June, 1900
Various
Literature -- Periodicals; Poetry -- Periodicals
When Othello is brooding over the supposed delinquencies of Desdemona,
tortured by commingled love and hate, in his wrath he strikes her.
Afterwards he demands: "Let me see your eyes; look in my face"; and as
she does so, and he searches there for her innocence and finds it not,
he bitterly adjures her: "Swear thou art honest," though all the while
assured that she is "false as hell." And he weeps and laments over her
at the very moment that he determines upon an eternal separation.
Othello's interview with Desdemona and this interview of Hamlet's with
Ophelia are identical in outline, and they differ in detail only as the
character of the two men differ. Shakespeare has told us in words that
Othello is jealously suspicious of Desdemona, and with equal
faithfulness he has depicted jealous suspicion in the acts of Hamlet.
This mute interview between Hamlet and Ophelia reminds one of the "Dumb
Shew," which precedes the scene from the drama of 'Gonzago's Murder';
and as in the latter instance the Duke and Duchess afterwards put into
words the thoughts which the pantomime foreshadows, so on examination
will this be found to be the case in the second interview between
Hamlet and Ophelia, which immediately follows upon his great soliloquy.
This second interview concludes Scene i of Act III in Quarto II and in
the Folios, but in Quarto I it is in Act II, and logically it belongs
there. Act I of 'Hamlet' was designed to disclose the relation of the
several characters to each other, and the command imposed on Hamlet to
avenge his Father's death upon the King; and Act II was originally
intended to exhibit Hamlet erratically making ready to obey the Ghost's
command, and the various artifices which the King employs to detect his
hidden purpose. When Ophelia tells her father of Hamlet's wordless
interview with her, Polonius promptly goes to the King with the story
of their amours and his termination of them, and with the announcement
that Hamlet is mad for his daughter's love; and, after hearing his
reasons for this opinion, being impressed by them, naturally the first
thought of the King is: "How may we try it further?" To this Polonius
replies: "I'll loose my daughter to him" during one of his walks in the
gallery here, whilst you and I, unseen but seeing, will witness their
encounter. In Quarto I the meeting between Hamlet and Ophelia follows
at once, and when it fails Polonius undertakes to board him, and when
that fails Rosencrantz and Guildenstern assay him. Afterwards
Shakespeare saw fit to change the order of these scenes, but this
particular scene may properly be considered now, and before others
which it logically precedes.
Public-domain text, read in full here on John Shaqi.
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