Poeta de Tristibus; Or, The Poet's Complaint — John Shaqi
Poeta de Tristibus; Or, The Poet's ComplaintAnonymous
General
Poeta de Tristibus; Or, The Poet's Complaint
Anonymous
Complaint poetry, English
P. 2: 21-22. _Yet ... Liberty._ The press regained its liberty through
the expiry of the Licensing Act in 1679. This passage does not occur in
_PC_ and may be one of the "Ingenious Person's" additions to _PdT_.
P. 3: 28. _Cris-cros-row._ I.e., Christ-cross-row. The alphabet with a
cross before it as represented in horn books.
P. 4: 4. _Honourable stabs._ Perhaps a reference to the attack on Dryden
in Rose Alley on 16 December 1679, which was popularly attributed to
various honorable persons satirized in Mulgrave's _An Essay upon Satyr_.
P. 4: 9-10. _Tho' ... Bays._ Cf. John Aubrey on the funeral of Samuel
Butler on 27 September 1680:
About 25 of his old acquaintance at his Funerall. I myself being
one of the eldest, helped to carry the Pall. His coffin covered
with black Bayes. (_Brief Lives_, ed. O. L. Dick [London, 1958], p.
47.)
P. 6: 7. _As Tonnellers catch Partridge._ A tunnel was a kind of net
used by bird-catchers.
P. 6: 21-22. _As ... go._ Cf. Donne's "A Lame Begger," _The Satires,
Epigrams and Verse Letters_, ed. W. Milgate (Oxford, 1969), p. 51.
P. 6: 27. _BARBARA._ The opening word of a mnemonic used in expressing
the moods of the syllogism.
P. 7: 21. _Lab'ring Muses._ _PC_ has "tab'ring" (i.e., playing on
tabors), a fairly clear case of _lectio difficilior_.
P. 10: 6. _How a curst Broker met a Poet._ The earlier part of the
description seems to be hinting at the distresses of John Banks, who was
reduced to poverty after two of his plays met censorship trouble;
however, the closing section on pp. 16-17 is clearly meant to refer to
Wycherley. It is possible that this is another of the "Ingenious
Person's" additions. Indeed it would have to be as Wycherley's troubles
did not begin until after the date given for the departure of the Poeta.
P. 10: 21. _White-Fryers._ The sanctuary area on the city side of the
Temple: Shadwell's Alsatia.
P. 12: 1-2. _half ... Temple-Bar._ I.e., Whitefriars.
P. 12: 26. _Being Tragedy, and writ in Rhimes._ Dryden abandoned rhyme
with _All for Love_ (1677). Cf. Elkanah Settle's complaint in the
preface to _Ibrahim_ (licensed 4 May 1676): "Another misfortune the Play
had, that it was written in Rhime, a way of writing very much out of
Fashion...."
P. 16: 9. _Where Bread and Cheese he said he'ld buy._ This detail has
some resemblance to a circumstance in Shiels and Cibber's account of
the death of Otway, which may derive from a mistaken belief that he was
the subject of the passage. See R. G. Ham, _Otway and Lee_ (New Haven,
1931), p. 214.
P. 16: 14. _One who would play at six-pence gleek._ The index of
extravagance at gleek seems to have advanced alarmingly in the course of
the seventeenth century. Jonson in _The Devil is an Ass_ (V, ii, 31)
specifies three-pence; however, Shadwell in 1680 was already foreseeing
a shilling (_Works_, ed. M. Summers, IV, 60).
P. 16: 15. _Creswel's._ The famous bawdy house, finally closed down in
1681.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account