Poeta de Tristibus; Or, The Poet's ComplaintAnonymous
General
Poeta de Tristibus; Or, The Poet's Complaint
Anonymous
Complaint poetry, English
It would follow that the near-simultaneous publication of versions #1
and #3 in November 1681 was wholly coincidental. My initial assumption
that _PC_ represents an early draft rather than a truncated copy of
_PdT_ has been reviewed with approval by my colleague David Bradley,
using criteria developed during a study of analogous situations among
Elizabethan dramatic texts. One of his most valuable observations is
that the two versions are thematically distinct, _PC_ being a satire on
backbiting, attacking those who abuse poets and poetry, and _PdT_ a more
general study of the notion "Wit versus Wealth." It is unfortunately
impossible to reproduce his more detailed comments since this would also
involve reproducing sizeable sections of _PC_; however, the basic point
concerning the direction of copying can be made in another way through
the pattern of variants revealed in extracts from the epilogue to Lacy's
_The Old Troop_ and Dryden's prologue to _Aureng-Zebe_ which are quoted
in both _PC_ and _PdT_. Collation shows that both texts are derived
from a lost intermediary which was in close though not complete
agreement with _PC_ against _PdT_. This rules out any chance that this
section of _PC_ could be derived from the printer's copy of _PdT_, and
suggests that the intermediary is more likely to have been the
hypothetical commonplace book or the MS of _PC_ than any four-canto
text, though the second possibility cannot be dismissed on textual
grounds alone.
The only real clues to the authorship of the poem are the biographical
details of the preface and the signature initials "T.W." following the
author's epistle of _PC_--either or both of which may of course result
from a conscious intention to deceive. Surprisingly, both seem to be
relevant to the history of Thomas Ward, the author of the hudibrastic
anti-protestant satire, _England's Reformation_ (1719), who is known to
have left England at roughly the time suggested as that of the poem's
composition. In the life of Ward prefixed to _An Interesting Controversy
with Mr. Ritschel, Vicar of Hexham_ (1819), which appears to be based at
an unknown degree of removal on a personal memoir, he is said to have
been born on 13 April 1652, and to have returned to England in the
thirty-fourth year of his age after at least "five or six years" abroad,
a figure which may just be reconciled with a departure date in January
1680/1. However, other details of the case do not fit so well. To start
with, it is hard to see how a man of twenty-eight could refer, as the
author does in both epistles, to his "want of years, and a necessary
Experience in the Ages humour." Nor is it easy to reconcile Ward's
fervent Catholicism with a satiric allusion in _PC_ to non-preaching
bishops--a favorite topic of Puritan polemic--or with a reference to the
Pope as "Rome's great Idol." Ward is said in the _Life_ to have been a
Catholic before his departure, and writes movingly in _England's
Public-domain text, read in full here on John Shaqi.
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