Weak of themselves are what we beauties call, It is the manner which gives strength to all; This teaches every beauty to unite, And brings them forward in the noblest light; Happy in this, behold, amidst the throng, With transient gleam of grace, Hart[60] sweeps along. If all the wonders of external grace, A person finely turn'd, a mould of face, Where--union rare--expression's lively force With beauty's softest magic holds discourse, 760 Attract the eye; if feelings, void of art, Rouse the quick passions, and inflame the heart; If music, sweetly breathing from the tongue, Captives the ear, Bride[61] must not pass unsung. When fear, which rank ill-nature terms conceit, By time and custom conquer'd, shall retreat; When judgment, tutor'd by experience sage, Shall shoot abroad, and gather strength from age; When Heaven, in mercy, shall the stage release From the dull slumbers of a still-life piece; 770 When some stale flower[62], disgraceful to the walk, Which long hath hung, though wither'd, on the stalk, Shall kindly drop, then Bride shall make her way, And merit find a passage to the day; Brought into action, she at once shall raise Her own renown, and justify our praise. Form'd for the tragic scene, to grace the stage With rival excellence of love and rage; Mistress of each soft art, with matchless skill To turn and wind the passions as she will; 780 To melt the heart with sympathetic woe, Awake the sigh, and teach the tear to flow; To put on frenzy's wild, distracted glare, And freeze the soul with horror and despair; With just desert enroll'd in endless fame, Conscious of worth superior, Cibber[63] came. When poor Alicia's madd'ning brains are rack'd, And strongly imaged griefs her mind distract, Struck with her grief, I catch the madness too, My brain turns round, the headless trunk I view! 790 The roof cracks, shakes, and falls--new horrors rise, And Reason buried in the ruin lies! Nobly disdainful of each slavish art, She makes her first attack upon the heart; Pleased with the summons, it receives her laws, And all is silence, sympathy, applause. But when, by fond ambition drawn aside, Giddy with praise, and puff'd with female pride, She quits the tragic scene, and, in pretence To comic merit, breaks down nature's fence, 800 I scarcely can believe my ears or eyes, Or find out Cibber through the dark disguise. Pritchard[64], by Nature for the stage design'd, In person graceful, and in sense refined; Her art as much as Nature's friend became, Her voice as free from blemish as her fame, Who knows so well in majesty to please, Attemper'd with the graceful charms of ease? When, Congreve's favoured pantomime[65] to grace, She comes a captive queen, of Moorish race; 810 When love, hate, jealousy, despair, and rage With wildest tumults in her breast engage, Still equal to herself is Zara seen;