The effect was prodigious. The critics admired--the victims of his satire writhed and raved--the public greedily bought, and all cried out, "Who can this be?" The _Critical Review_, then conducted by Smollett, alone opposed the general opinion. It accused Colman and Lloyd of having concocted "The Rosciad," for the purpose of puffing themselves. This compelled Churchill to quit his mask. He announced his name as the author of the poem, and as preparing another--his "Apology"--addressed to the _Critical Reviewers_, which accordingly appeared ere the close of April. It proved a second bombshell, cast into the astonished town. Smollett was keenly assailed in it, and had to write to Churchill, through Garrick, that he was not the writer of the obnoxious critique. Garrick, himself the hero of "The Rosciad," was here rather broadly reminded that heroes are mortal, and that kings may be dethroned, and had to make humiliating concessions to the fearless satirist. Fearless, indeed, and strong he required to be, for many of his victims had vowed loud and deep to avenge their quarrel by inflicting corporal chastisement on their foe. He armed himself with a huge bludgeon, however, and stalked abroad and returned home unharmed and unattempted. None cared to meddle with such a brawny Hercules. In another way his enemies soon had their revenge. He had gained one thousand pounds by his two poems, and this supplied him with the materials of unlimited indulgence, which he did not fail to use. He threw off every restraint. He donned, instead of his clerical costume, a blue coat and gold-laced waistcoat. He separated from his wife, giving her, indeed, a handsome allowance. His midnight potations became deeper and more habitual. Dean Zachary Pearce, afterwards Bishop of Rochester, in vain remonstrated. At last, on his parishioners taking the matter up, and raising an outcry as to his neglect of duty, and the unbecoming character of his dress, he resigned his curacy and lectureship, and became for the rest of his life a literary and dissipated "man about town." In October 1761 he published a poem entitled "Night," addressed to Lloyd, in which, while seeking to vindicate himself from the charges against his _morale_, he in reality glories in his shame. His sudden celebrity had perhaps acted as a glare of light, revealing faults that might have been overlooked in an obscure person. With his dissipation, too, there mingled some elements of generosity and compassion, as in the story told of him by Charles Johnson in his "Chrysal" of the poet succouring a poor starving girl of the town, whom he met in the midnight streets,--an incident reminding one of the similar stories told of Dr Johnson, and Burke, and realising the parable of the good Samaritan. Yet his conduct on the whole could not be defended.