The day approaches, when we must
Be crumbling bones and windy dust;
And scorn us as our mistress may,
Her beauty will no better be
Than the poor face she slights in thee,
When dawns that day, that day.
THE SECOND BEST
Moderate tasks and moderate leisure,
Quiet living, strict-kept measure
Both in suffering and in pleasure--
'Tis for this thy nature yearns.
But so many books thou readest,
But so many schemes thou breedest,
But so many wishes feedest,
That thy poor head almost turns.
And (the world's so madly jangled,
Human things so fast entangled)
Nature's wish must now be strangled
For that best which she discerns.
So it _must_ be! yet, while leading
A strain'd life, while overfeeding,
Like the rest, his wit with reading,
No small profit that man earns,
Who through all he meets can steer him,
Can reject what cannot clear him,
Cling to what can truly cheer him;
Who each day more surely learns
That an impulse, from the distance
Of his deepest, best existence,
To the words, "Hope, Light, Persistence,"
Strongly sets and truly burns.
CONSOLATION
Mist clogs the sunshine.
Smoky dwarf houses
Hem me round everywhere;
A vague dejection
Weighs down my soul.
Yet, while I languish,
Everywhere countless
Prospects unroll themselves,
And countless beings
Pass countless moods.
Far hence, in Asia,
On the smooth convent-roofs,
On the gilt terraces,
Of holy Lassa,
Bright shines the sun.
Grey time-worn marbles
Hold the pure Muses;
In their cool gallery,
By yellow Tiber,
They still look fair.
Strange unloved uproar[A]
Shrills round their portal;
Yet not on Helicon
Kept they more cloudless
Their noble calm.
Through sun-proof alleys
In a lone, sand-hemm'd
City of Africa,
A blind, led beggar,
Age-bow'd, asks alms.
No bolder robber
Erst abode ambush'd
Deep in the sandy waste;
No clearer eyesight
Spied prey afar.
Saharan sand-winds
Sear'd his keen eyeballs;
Spent is the spoil he won.
For him the present
Holds only pain.
Two young, fair lovers,
Where the warm June-wind,
Fresh from the summer fields
Plays fondly round them,
Stand, tranced in joy.
Public-domain text, read in full here on John Shaqi.
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