Poetical Works of William Cullen Bryant: Household EditionBryant, William Cullen
General
Poetical Works of William Cullen Bryant: Household Edition
Bryant, William Cullen
Poetry
and the tempest in a teapot was over, as far as England was concerned.
Not as far as the United States was concerned, however; for when the
circumstance became known to Mr. Leggett, he excoriated Mr. Irving for
his subserviency to a bloated aristocracy, and so forth. Mr. John Wilson
reviewed the book in _Blackwood's Magazine_ in a half-hearted way,
patronizing the writer with his praise.
The poems that Mr. Bryant wrote during the first seven years of his
residence in New York (some forty in number, not including translations)
exhibited the qualities which distinguished his genius from the
beginning, and were marked by characteristics which were rather acquired
than inherited. In other words, they were somewhat different from those
which were written at Great Barrington. The Hellenic element was still
visible in "The Greek Partisan" and "The Greek Boy," and the aboriginal
element in "The Disinterred Warrior." The large imagination of "The Hymn
to the North Star" was radiant in "The Firmament," and in "The Past."
Ardent love of nature found expressive utterance in "Lines on Revisiting
the Country," "The Gladness of Nature," "A Summer Ramble," "A Scene on
the Banks of the Hudson," and "The Evening Wind." The little book of
immortal dirges had a fresh leaf added to it in "The Death of the
Flowers," which was at once a pastoral of autumn and a monody over a
beloved sister. A new element appeared in "The Summer Wind," and was
always present afterward in Mr. Bryant's meditative poetry--the
association of humanity with nature--a calm but sympathetic recognition
of the ways of man and his presence on the earth. The power of
suggestion and of rapid generalization, which was the key-note of "The
Ages," lived anew in every line of "The Prairies," in which a series of
poems present themselves to the imagination as a series of pictures in a
gallery--pictures in which breadth and vigor of treatment and exquisite
delicacy of detail are everywhere harmoniously blended, and the unity of
pure Art is attained. It was worth going to the ends of the world to be
able to write "The Prairies."
Public-domain text, read in full here on John Shaqi.
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