Poetical Works of William Cullen Bryant: Household Edition — John Shaqi
Poetical Works of William Cullen Bryant: Household EditionBryant, William Cullen
General
Poetical Works of William Cullen Bryant: Household Edition
Bryant, William Cullen
Poetry
There comes a day in the intellectual lives of most poets when their
powers cease to be progressive and productive, or are productive only in
the forms to which they have accustomed themselves, and which have
become mannerisms. It was not so with Mr. Bryant. He enjoyed the
dangerous distinction of proving himself a great poet at an early age;
he preserved this distinction to the last, for the sixty-four years
which elapsed between the writing of "Thanatopsis" and the writing of
"The Flood of Years" witnessed no decay of his poetic capacities, but
rather the growth and development of trains of thought and forms of
verse of which there was no evidence in his early writings. His
sympathies were enlarged as the years went on, and the crystal clearness
of his mind was colored with human emotions.
To Bryant, beyond all other modern poets, the earth was a theatre upon
which the great drama of life was everlastingly played. The remembrance
of this fact is his inspiration in "The Fountain," "An Evening Revery,"
"The Antiquity of Freedom," "The Crowded Street," "The Planting of the
Apple-Tree," "The Night Journey of a River," "The Sower," and "The Flood
of Years." The most poetical of Mr. Bryant's poems are, perhaps, "The
Land of Dreams," "The Burial of Love," "The May Sun sheds an Amber
Light," and "The Voice of Autumn;" and they were written in a succession
of happy hours, and in the order named. Next to these pieces, as
examples of pure poetry, should be placed "Sella" and "The Little People
of the Snow," which are exquisite fairy fantasies. The qualities by
which Mr. Bryant's poetry are chiefly distinguished are serenity and
gravity of thought; an intense though repressed recognition of the
mortality of mankind; an ardent love for human freedom; and unrivaled
skill in painting the scenery of his native land. He had no superior in
this walk of poetic art--it might almost be said no equal, for his
descriptions of nature are never inaccurate or redundant. "The
Excursion" is a tiresome poem, which contains several exquisite
episodes. Mr. Bryant knew how to write exquisite episodes, and to omit
the platitudes through which we reach them in other poets.
It is not given to many poets to possess as many residences as Mr.
Bryant, for he had three--a town-house in New York, a country-house,
called "Cedarmere," at Roslyn, Long Island, and the old homestead of the
Bryant family at Cummington. He passed the winter months in New York,
and the summer and early autumn months at his country-houses. No
distinguished man in America was better known by sight than he.
"O good gray head that all men knew"
Public-domain text, read in full here on John Shaqi.
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