Poetry of the Anti-Jacobin: Comprising the Celebrated Political and Satirical Poems, of the Rt. Hons. G. Canning, John Hookham Frere, W. Pitt, the Marquis Wellesley, G. Ellis, W. Gifford, the Earl of Carlisle, and Others.
History
Poetry of the Anti-Jacobin: Comprising the Celebrated Political and Satirical Poems, of the Rt. Hons. G. Canning, John Hookham Frere, W. Pitt, the Marquis Wellesley, G. Ellis, W. Gifford, the Earl of Carlisle, and Others.
English poetry; France -- History -- Revolution, 1789-1799 -- Poetry; Great Britain -- Politics and government -- 1789-1820
[Illustration:
_The GIANT FACTOTUM amusing himself_
]
POETRY
OF
THE ANTI-JACOBIN:
COMPRISING THE CELEBRATED
POLITICAL AND SATIRICAL POEMS,
OF
THE RT. HONS. G. CANNING, JOHN HOOKHAM FRERE, W. PITT, THE MARQUIS
WELLESLEY, G. ELLIS, W. GIFFORD, THE EARL OF CARLISLE, AND OTHERS.
EDITED, WITH EXPLANATORY NOTES, ETC.
BY
CHARLES EDMONDS,
EDITOR OF THE “PYTCHLEY HUNT, PAST AND PRESENT,” ETC., ETC.
_THIRD EDITION, CONSIDERABLY ENLARGED, WITH SIX ILLUSTRATIONS BY JAMES
GILLRAY._
NEW YORK: G. P. PUTNAM’S SONS.
LONDON: SAMPSON LOW & CO., _Limited_.
1890.
EDITOR’S PREFACE.
The fate which usually attends political and satirical writings that owe
their origin to passing events, has in no way affected the POETRY OF THE
ANTI-JACOBIN, which, after a lapse of more than ninety years, still
continues to interest and amuse. Public opinion never fails, sooner or
later, to arrive at a just conclusion as to the merits both of
individuals and actions; and though it may often neglect to preserve a
meritorious work, never perpetuates a worthless one. Poetry which lashed
with so remorseless a hand the patriotic proceedings, and held up to
ridicule the persons and habits, of the most distinguished Whig leaders,
must have possessed no common merit to have won the encomiums of such
liberal politicians and such critics as MACKINTOSH and JEFFREY, MOORE
and BYRON.
MOORE, in his _Life of Sheridan_, observes: “_The Rolliad_ and _The
Anti-Jacobin_ may, on their respective sides of the question, be
considered as models of that style of political satire whose lightness
and vivacity give it the appearance of proceeding rather from the
wantonness of wit than of ill-nature, and whose very malice, from the
fancy with which it is mixed up, like certain kinds of fire-works,
explodes in sparkles”. This criticism might be applied to some of his
own political squibs.
As the poems refer to occurrences long since past, a rapid glance at the
state of events at that time (1797–8) may render them more intelligible
to the generality of readers.
Public-domain text, read in full here on John Shaqi.
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