Poetry of the Anti-Jacobin: Comprising the Celebrated Political and Satirical Poems, of the Rt. Hons. G. Canning, John Hookham Frere, W. Pitt, the Marquis Wellesley, G. Ellis, W. Gifford, the Earl of Carlisle, and Others.
History
Poetry of the Anti-Jacobin: Comprising the Celebrated Political and Satirical Poems, of the Rt. Hons. G. Canning, John Hookham Frere, W. Pitt, the Marquis Wellesley, G. Ellis, W. Gifford, the Earl of Carlisle, and Others.
English poetry; France -- History -- Revolution, 1789-1799 -- Poetry; Great Britain -- Politics and government -- 1789-1820
“‘Whoe’er ye are, all hail!—whether the skill
Of youthful CANNING guides the ranc’rous quill;
With powers mechanic far above his age,
Adapts the paragraph and fills the page;
Measures the column, mends whate’er’s amiss,
Rejects THAT letter, and accepts of THIS;
Or HAMMOND, leaving his official toil,
O’er this great work consume the midnight oil—
Bills, passports, letters, for the Muses quit,
And change dull business for amusing wit.’
“After referring to ‘the poetic sage, who sung of Gallia in a headlong
rage,’ _The Epistle_ proceeds:—
“‘I swear by all the youths that MALMESBURY chose,[2]
By ELLIS’ sapient prominence of nose—
By MORPETH’S gait, important, proud and big—
_By Leveson Gower’s crop-imitating wig_,
That, could the pow’rs which in those numbers shine,
Could that warm spirit animate my line,
Your glorious deeds which humbly I rehearse—
Your deeds should live immortal as my verse;
And, while they wonder’d whence I caught my flame,
Your sons should blush to read their fathers’ shame’.
“Happily the eminent and accomplished sons of these fathers will smile,
rather than blush, at this allusion to their sires, and smile the more
when they remember from which side the attack proceeded. It is clear
from the Answer, that, whilst the band were not a little ruffled, they
had not the remotest suspicion that their assailant was a youth in his
nineteenth year. Amongst other prefatory remarks they say:—
“‘We assure the author of the epistle, that the answer which we have
here the honour to address to him, contains our genuine and undisguised
sentiments upon the merits of the poem.
“‘Our conjectures respecting the authors and abettors of this
performance may possibly be as vague and unfounded as theirs are with
regard to the EDITORS of _The Anti-Jacobin_. We are sorry that we cannot
satisfy their curiosity upon this subject—but we have little anxiety for
the gratification of our own.
“‘It is only necessary to add, what is most conscientiously the truth,
that this production, such as it is, is _by far the best_ of all the
attacks that the combined wits of the cause have been able to muster
against _The Anti-Jacobin_.’
“The Answer opens thus:—
“‘BARD of the borrow’d lyre! to whom belong
The shreds and remnants of each hackney’d song;
Whose verse thy friends in vain for wit explore,
And count but _one good line_, in eighty-four!
Whoe’er thou art, all hail! Thy bitter smile
Gilds our dull page, and cheers our humble toil!’
“The ‘one good line’ was ‘By Leveson Gower’s crop-imitating wig,’ but
the Epistle contains many equally good and some better. The speculations
as to its authorship afforded no slight amusement to the writer and his
friends....
Public-domain text, read in full here on John Shaqi.
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