Poetry of the Anti-Jacobin: Comprising the Celebrated Political and Satirical Poems, of the Rt. Hons. G. Canning, John Hookham Frere, W. Pitt, the Marquis Wellesley, G. Ellis, W. Gifford, the Earl of Carlisle, and Others.
History
Poetry of the Anti-Jacobin: Comprising the Celebrated Political and Satirical Poems, of the Rt. Hons. G. Canning, John Hookham Frere, W. Pitt, the Marquis Wellesley, G. Ellis, W. Gifford, the Earl of Carlisle, and Others.
English poetry; France -- History -- Revolution, 1789-1799 -- Poetry; Great Britain -- Politics and government -- 1789-1820
_The Poetry of the Anti-Jacobin_ is not exclusively political. _The
Loves of the Triangles_, a parody on DR. DARWIN’S _Loves of the Plants_,
is, in the opinion of a celebrated critic (Lord Jeffrey) of the highest
degree of merit; as is also _The Progress of Man_, a parody on PAYNE
KNIGHT’S _Progress of Civil Society_; and _The Rovers_, a burlesque on
the German dramas then in vogue, the extraordinary plots of which, as
well as their language, alternately ultrasentimental and domestically
bathotic, well marked them out for ridicule, is distinguished by sharp
wit and broad humour of the happiest kind. CANNING and his coadjutors in
this piece did a real service to literature, and assisted in a
purification which GIFFORD, by his demolition of the Della Cruscan
school of poetry, had so well begun. Of _The Friend of Humanity and the
Knife-grinder_ it is unnecessary to speak; perhaps no lines in the
English language have been more effective, or oftener quoted.
But CANNING’S greatest power is shown in _New Morality_, which, being
the last of the series, seems to have been reserved as a concentrating
medium for his pent-up scorn and contempt of the Whigs and their
adherents. So that their blows fall thick (for he was powerfully
seconded by Frere, Gifford, and Ellis), they care little who suffer from
them, and the modern reader is surprised to find CHARLES LAMB and other
non-intruders into politics, figuring as congenial conspirators with TOM
PAINE!
It is somewhat difficult to regard PITT in the character of a Wit and a
Poet, as from the narrative of most of his biographers, he might be
considered as uniformly cold, stiff, and unbending; but his intimate
friend WILBERFORCE, in his _Memoirs_, thus describes him: “PITT, when
free from shyness, and amongst his intimate companions, was the very
soul of merriment and conversation. He was the wittiest man I ever knew,
and what was quite peculiar to himself, had at all times his wit under
entire controul. Others appeared struck by the unwonted association of
brilliant images; but every possible combination of ideas seemed always
present to his mind, and he could at once produce whatever he desired. I
was one of those who met to spend an evening in memory of Shakespeare,
at the Boar’s Head, Eastcheap. Many professed wits were present, but
PITT was the most amusing of the party, the readiest and most apt in the
required allusions.” It is not, therefore, at all unlikely, that he now
and then contributed witty verses to _The Anti-Jacobin_, in addition to
those which the Editor has, on probable grounds, ascribed to him in the
present volume.
Public-domain text, read in full here on John Shaqi.
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