Pogonologia; Or, A Philosophical and Historical Essay on BeardsDulaure, J.-A. (Jacques-Antoine)
Philosophy
Pogonologia; Or, A Philosophical and Historical Essay on Beards
Dulaure, J.-A. (Jacques-Antoine)
Beards
Thus ended the reign of the beard in France. Notwithstanding the
prejudice which exists at present, this mark of manhood has not lost its
influence. Whenever a foreigner appears in France with a long beard, he
not only attracts admiration, but likewise the confidence and respect of
those that see him. A Genevese, called Liotard, is an example; he knew
very well how to make an advantage of this ascendancy, which gives an
imposing appearance to people greedy of novelty.
He was a portrait painter, and had lived three years at Constantinople,
where his talents got him to be sent for by the grand seignior to come
to the seraglio to draw the pictures of the sultanesses: he followed the
dress of the Orientals, and, consequently, let his beard grow out, with
as much less reluctancy, as it hid the deformity of his face. On his
return to France, he resolved to retain his Levantine dress, and after
this manner appeared at Paris in the year 1752. He soon perceived that
he had no reason to be displeased with his whim. His dress and beard
served him much better than his talents, to raise him above the crowd.
It is easy to imagine the eagerness of the Parisians for this
extraordinary man. The infatuation was universal; his name soon reached
the court, where he was sent for at length to draw the portraits of the
late king and the royal family, and where, in a short time, he made his
fortune.
His talents, less astonishing than his dress, did not consist in the
beauty of the colouring, but in the art of taking the most striking
likenesses. The marchioness of Pompadour was hurt at the scrupulous
accuracy of our painter. As she gave him one day a hundred pounds for a
portrait which he had just drawn, she made use of these precious words,
which ought to be written in letters of gold in the history of bearded
chins: _All your merit consists in your beard_.[24]
Footnote 24:
This anecdote was given me by a friend of the painter’s, who knew him
at the time he wore his oriental dress. He since adopted the French
usage, in order to comply with the ardent solicitations of his wife,
who was a Parisian.
It was likewise through favour of a long beard that a young Frenchman,
about ten years ago, preached a new doctrine in Arabia. He assumed the
name of _Arphaxad Tinnagelli_: his quality was, that of _disciple of J.
J. Rousseau, on a mission in Arabia_. His oriental dress and prophet’s
beard concurred particularly to gain him proselytes.[25]
Footnote 25:
Public-domain text, read in full here on John Shaqi.
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