Neither have I discovered any socialistic tendency in these stories,
nor any disposition to exalt the lower orders at the expense of the
upper. The Clara Vere de Veres who smiled on me in the course of my
researches were all as virtuous as they were beautiful, and their noble
lovers were models of chivalry and truth. It was the scheming lawyer,
the base-born, self-made man of business, who crept as a serpent into
their patrician Eden, and was treated with the contempt and contumely
he deserved. In one instance, such an upstart, Mr. John Farlow by
name, ventures to urge upon an impoverished landholder his offers of
friendship and assistance, and this is the spirit in which his advances
are received:--
“The colonel shudders, as he gazes, half wearily, half scornfully,
at the shapeless, squat figure of the Caliban-like creature before
him. That he, Courtenay St. Leger Walterton, late in command of her
Majesty’s Lancers, should have to listen respectfully to the hectoring
of this low city rascal, while a horsepond awaits without, and a
collection of horsewhips hang ready for instant application on the
hunting-rack in the hall within! Yet it is so; he is wholly at this
man’s mercy, and the colonel, like the humblest of mankind, is obliged
to succumb to the inevitable.”
Now, since I turned the last page of “Ten Thousand a Year,” a long,
long time ago, I have hardly met with a finer instance of aristocratic
feeling than this, or a more crushing disdain for the ignoble creature
known as a solicitor. Mr. John Farlow is of course a villain, but
Courtenay St. Leger Walterton is not aware of this fact, and neither,
in the beginning of the tale, is the reader. What we do know, however,
is that, being a “low city rascal,” he naturally merits horsewhipping
at the hands of a blue-blooded country squire. He would have deserved
hanging, had the colonel been a duke, and perhaps that punishment might
have been meted triumphantly out to him, for the penny novelist, with
all his faults, still “loves his House of Peers.”
Public-domain text, read in full here on John Shaqi.
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