It is not in penny fiction alone, however, that the railway book-stalls
do a thriving trade. The shilling novels stand in goodly rows,
inviting you to a purchase you are sure afterwards to regret. The
average shilling novel in England differs from the average penny
novel in size only; and, judged by measurement, the sole standard
it is possible to apply, it should, to warrant its price, be about
six times the length. “Lord Elwyn’s Daughter” and “The Nun’s Curse,”
at a shilling each, bear such a strong family resemblance to their
penny cousins, “Golden Chains” and “Her Bitter Burden,” that it needs
their outward dress to distinguish them; and “Haunted” and “The
Man who Vanished” carry their finest thrills in their title. Quite
early in my search, I noticed at the Waterloo station three shilling
novels,--“Weaker than Woman,” “Lady Hutton’s Ward,” and “Diana’s
Discipline,” all advertised conspicuously as being by the author of
“Dora Thorne.” Feeling that my ignorance of Dora Thorne herself was
a matter for regret and enlightenment, I asked for her at once, to
be told she was not in stock, but I might, if I liked, have “Lady
Gwendolen’s Dream,” by the same writer. I declined “Lady Gwendolen,”
and at the next station once more demanded “Dora Thorne.” In vain! The
young man in attendance glanced over his volumes, shook his head, and
offered me “Diana’s Discipline,” and a fresh book “The Fatal Lilies,”
also by the author of “Dora Thorne.” Another stall at another station
had all five of these novels, and a sixth one in addition, “A Golden
Heart,” by the author of “Dora Thorne,” but still no “Dora.” Elsewhere
I encountered “Her Martyrdom” and “Which Loved Him Best,” both stamped
with the cabalistic words “By the Author of ‘Dora Thorne’;” and so
it continued to the end. New stories without number, all from the
same pen, and all countersigned “By the Author of ‘Dora Thorne,’” but
never “Dora.” From first to last, she remained elusive, invisible,
unattainable,--a Mrs. Harris among books, a name and nothing more.
Public-domain text, read in full here on John Shaqi.
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