Sacharissa, too, stands near, with a shade of listlessness in her
sweet eyes, as though she wearied a little of Master Waller’s courtly
strains. A withered rose droops from her white fingers, preaching
its mute sermon, and preaching it all in vain; for rose and lady
live forever, linked to each other’s fame. And by her side, casting
her fragile loveliness in the shade, is one of different mould, a
sumptuous, smiling woman, on whom Sacharissa’s blue eyes fall with
a soft disdain. We know this indolent beauty by the brave vibration
of her tempestuous silken robe, by the ruby carcanet that clasps
her throat, the rainbow ribbon around her slender waist, the jewels
wedged knuckle-deep on every tapering finger, and even--oh, vanity of
vanities!--on one small rosy thumb. We know her by the scented beads
upon her arm, and by the sweet and subtle odors of storax and spikenard
and galbanum that breathe softly forth from her brocaded bodice, and
from her hair’s dark meshes caught in a golden net. It is she to whom
the glow-worms lent their eyes, and the elves their wings, and the
stars their shooting fires, as she wandered through the dewy woods to
meet her lover’s steps. It is Herrick’s Julia whom we see so clearly
through the mist of centuries, that cannot veil nor dim the brightness
of her presence.
To ask how many of these fair dames have gone through the formality
of living, and how many exist only by the might of a poet’s breath,
is but a thankless question. All share alike in that true being which
may not be blown out like the flame of a taper; in that true entity
which Cæsar and Hamlet hold in common, and which reveals them side by
side. Mr. Gosse, for example, assures us that Julia really walked the
earth, and even gives us some details of her mundane pilgrimage; other
critics smile, and shake their heads, and doubt. It matters not; she
lives, and she will continue to live when we who dispute the matter
lie voiceless in our graves. The essence of her personality lingers
on every page where Herrick sings of her. His verse is heavy with
her spicy perfumes, glittering with her many-colored jewels, lustrous
with the shimmer of her silken petticoats. Her very shadow, he sighs,
distills sweet odors on the air, and draws him after her, faint with
their amorous languor. How lavish she is with her charms, this woman
who neither thinks nor suffers; who prays, indeed, sometimes, with
great serenity, and dips her snowy finger in the font of blessed water,
but whose spiritual humors pale before the calm vigor of her earthly
nature! How kindly, how tranquil, how unmoved, she is; listening with
the same slow smile to her lover’s fantastic word-play, to the fervid
conceits with which he beguiles the summer idleness, and to the frank
and sudden passion with which he conjures her, “dearest of thousands,”
to close his eyes when death shall summon him, to shed some true tears
above the sod, to clasp forever the book in which he writes her name!
Public-domain text, read in full here on John Shaqi.
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