Vernon Lee, speaking by the mouth of Marcel, that shadowy young
Frenchman who is none the less unpleasant for being so indistinct,
would have us believe that this incorrigible habit of applying
ethical standpoints to artistic questions is merely an English
idiosyncrasy, one of those “weird and exquisite moral impressions”
which can be gathered only from contact with British soil. But in
view of the deductions recently drawn from French and Russian fiction
by an ingenious American critic, we are forced to conclude that
true didacticism is an exotic of such rare and subtle excellence as
frequently to be mistaken for vice. In fact, it is not its least
advantageous peculiarity that a novelist may, on high moral grounds,
treat of a great many subjects which he would be compelled rigorously
to let alone, if he had no nobler object before him than the mere
pleasure and entertainment of his readers. There are no improper
novels any longer, because even those that strike the uninitiated
as admirably adapted to the spiritual requirements of Commodus or
Elagabalus are, in truth, far more moral than morality itself, being
set up, like the festering heads of old-time criminals, as a stern
warning in the market-place. Zola, we all know, aspires as much to be
a teacher as George Eliot. His methods are different, to be sure, but
the directing principle is the same. He can neither amuse nor please,
but he can and will instruct. “When I have once shown you,” he seems
to say, “every known detail of every known sin,--and the list, it must
be confessed, is a long one,--you will then be glad to walk purely on
your appointed path. You will remember what I have described to you,
and be cautious.” But it may fairly be doubted whether the Spartan
boys, whose anxious fathers exhibited to them the drunken Helots
sprawling swine-like in the sun, were quite as deeply shocked at the
sight as classical history would give us to understand. There are some
old-fashioned lines by an old-fashioned poet to the effect that the
ugliness of Vice is no especial detriment to her seductions, if we will
only look at her often enough to forget it. Probably those Spartan
lads, after a few educational experiments, began to think that the
Helots, in their reeking filth and bestiality, were rather interesting
studies; were experiencing new and perhaps pleasurable emotions; were
more comfortable, at all events, than they themselves, sitting stiff
and upright at the public table, with a scanty plateful of unpalatable
broth; were, in short, having a jolly good time of it,--and why not try
for once what such thorough-going drunkenness was like?
Public-domain text, read in full here on John Shaqi.
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