Welche Heldenfreudigkeit der Liebe, Welche Stärke muthigen Entsagens, Welche himmlisch erdentschwungene Triebe, Welche Gottbegeistrung des Ertragens! Welche Sich-Erhebung, Sich-Erwiedrung, Sich-Entäussrung, völl'ge Hin-sich-gebung, Seelenaustausch, Ineinanderlebung! It is probable that these lines have never been translated into English verse, and it is obvious that no translation, which did not largely consist of paraphrase, would be possible. Alliteration, which is a powerful literary instrument in the hands of a skilful writer, but which may easily be allowed to degenerate into a mere jingle, is of less common occurrence in Greek than in English, notably early English, literature. It was, however, occasionally employed by both poets and dramatists. Euripides, for instance, in the _Cyclops_ (l. 120) makes use of the following expression, which would serve as a good motto for an Anarchist club, ἀκούει δ' οὐδὲν οὐδεὶς οὐδενός. Clytemnestra, also, in speaking of the murder of her husband (_Ag._ 1551-52) says: πρὸς ἡμῶν κάππεσε, κάτθανε, καὶ καταθάψομεν.[45] That Greek alliteration is capable of imitation is shown by Pope's translation of the well-known line[46]: πολλὰ δ' ἄναντα κάταντα πάραντά τε δόχμιὰ τ' ἦλθον· O'er hills, o'er dales, o'er crags, o'er rocks, they go. Pope at times brought alliteration to his aid in cases where no such device had been adopted by Homer, as when, in describing the labours of Sisyphus,[47] he wrote: With many a weary step, and many a groan, Up the high hill he heaves a huge round stone. On the whole, although a good deal more than is contained in this article may be said on either side, it would appear that, broadly speaking, Dryden's principle holds good for prose translations, and that experience has shown, in respect to translations in verse, that, save in rare instances, a resort to paraphrase is necessary. The writer ventures, in conclusion, to give two instances, in one of which there has been comparatively but slight departure from the text of the original Greek, whilst in the other there has been greater indulgence in paraphrase. Both are taken from the Anthology. The first is an epitaph on a shipwrecked sailor by an unknown author: Ναυτίλε, μὴ πεύθου τίνος ἐνθάδε τύμβος ὅδ' εἰμί, ἀλλ' αὐτὸς πόντου τύγχανε χρηστοτέρου. No matter who I was; but may the sea To you prove kindlier than it was to me. The other is by Macedonius: Αὔριον ἀθρήσω σε· τὸ δ' οὔ ποτε γίνεται ἡμῖν ἠθάδος ἀμβολίης αἰὲν ἀεξομένης· ταῦτά μοι ἱμείροντι χαρίζεαι, ἄλλα δ' ἐς ἄλλους δῶρα φέρεις, ἐμεθέν πίστιν ἀπειπαμένη. ὄψομαι ἑσπερίη σε. τί δ' ἕσπερός έστι γυναικῶν; γῆρας ἀμετρήτῳ πληθόμενον ῥυτίδι.