“Well, _I_ ain't in any trance,” answered the dark girl, “and _I_ think
it's pretty tough for him to take up with a rank outsider, and expect
us to warm up to her as though he'd married one of our own folks.” She
tossed her head, the pride of class distinction welling high in her
ample bosom.
“He ain't asking us to warm up to her,” contradicted Mademoiselle
Eloise, a pale, light-haired sprite, who had arrived late and was making
undignified efforts to get out of her clothes by way of her head. She
was Polly's understudy and next in line for the star place in the bill.
“Well, Barker has put her into the 'Leap of Death' stunt, ain't he?”
continued the brunette. “'Course that ain't a regular circus act,”
she added, somewhat mollified, “and so far she's had to dress with
the 'freaks,' but the next thing we know, he'll be ringin' her in on a
regular stunt and be puttin' her in to dress with US.”
“No danger of that,” sneered the blonde; “Barker is too old a stager to
mix up his sheep and his goats.”
Polly had again lost the thread of the conversation. Her mind had
gone roving to the night when the frightened girl about whom they
were talking had made her first appearance in the circus lot, clinging
timidly to the hand of the man who had just made her his wife. Her eyes
had met Polly's, with a look of appeal that had gone straight to the
child's simple heart.
A few nights later the newcomer had allowed herself to be strapped into
the cumbersome “Leap of Death” machine which hurled itself through space
at each performance, and flung itself down with force enough to break
the neck of any unskilled rider. Courage and steady nerve were the
requisites for the job, so the manager had said; but any physician would
have told him that only a trained acrobat could long endure the nervous
strain, the muscular tension, and the physical rack of such an ordeal.
What matter? The few dollars earned in this way would mean a great deal
to the mother, whom the girl's marriage had left desolate.
Polly had looked on hungrily the night that the mother had taken the
daughter in her arms to say farewell in the little country town where
the circus had played before her marriage. She could remember no woman's
arms about HER, for it was fourteen years since tender hands had carried
her mother from the performers' tent into the moonlit lot to die. The
baby was so used to seeing “Mumsie” throw herself wearily on the ground
after coming out of the “big top” exhausted, that she crept to the
woman's side as usual that night, and gazed laughingly into the
sightless eyes, gurgling and prattling and stroking the unresponsive
face. There were tears from those who watched, but no word was spoken.
Public-domain text, read in full here on John Shaqi.
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