The young pastor for a time had enjoyed Mandy's tirades against her
husband, but when she began calling shrilly out of the window to chance
acquaintances for news of him, he slipped quietly into the next room to
finish to-morrow's sermon. Mandy renewed her operations at the window
with increased vigour when the pastor had gone. She was barely saved
from pitching head foremost into the lot, by the timely arrival of
Deacon Strong's daughter, who managed, with difficulty, to connect the
excited woman's feet with the floor.
“Foh de Lor' sake!” Mandy gasped, as she stood panting for breath and
blinking at the pretty, young, apple-faced Julia; “I was suah most gone
dat time.” Then followed another outburst against the delinquent Hasty.
But the deacon's daughter did not hear; her eyes were already wandering
anxiously to the lights and the tinsel of the little world beyond the
window.
This was not the first time to-day that Mandy had found herself talking
to space. There had been a steady stream of callers at the parsonage
since eleven that morning, but she had long ago confided to the pastor
that she suspected their reasons.
“Dey comes in here a-trackin' up my floors,” she said, “and a-askin'
why you don' stop de circus from a-showin' nex' to de church and den
a-cranin' afar necks out de winder, till I can't get no housework done.”
“That's only human nature,” Douglas had answered with a laugh; but
Mandy had declared that she knew another name for it, and had mumbled
something about “hypocritters,” as she seized her broom and began to
sweep imaginary tracks from in front of the door.
Many times she had made up her mind to let the next caller know just
what she thought of “hypocritters,” but her determination was usually
weakened by her still greater desire to excite increased wonder in the
faces of her visitors.
Divided between these two inclinations, she gazed at Julia now; the
shining eyes of the deacon's daughter conquered, and she launched forth
into an eager description of how she had just seen a “wondeful striped
anamule” with a “pow'ful long neck walk right out of the tent,” and how
he had “come apart afore her very eyes,” and two men had slipped “right
out a' his insides.” Mandy was so carried away by her own eloquence and
so busy showing Julia the sights beyond the window, that she did not
hear Miss Perkins, the thin-lipped spinster, who entered, followed by
the Widow Willoughby dragging her seven-year-old son Willie by the hand.
The women were protesting because their choir practice of “What
Shall the Harvest Be?” had been interrupted by the unrequested
acompaniment{sic} of the “hoochie coochie” from the nearby circus band.
“It's scandalous!” Miss Perkins snapped. “Scandalous! And SOMEBODY ought
to stop it.” She glanced about with an unmistakable air of grievance at
the closed doors, feeling that the pastor was undoubtedly behind one of
them, when he ought to be out taking action against the things that her
soul abominated.
Public-domain text, read in full here on John Shaqi.
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