Chiswick (London, England) -- Fiction; England -- Social life and customs -- 19th century -- Fiction; Terrace houses -- Fiction
But the pride of the Walk was a great elm-tree standing in the centre of
the lawn, and shading it delightfully. A very ancient tree, much older
than the Walk: indeed, the crescent had, in a manner of speaking, been
built round it. At its base Jim—there was really no limit to the things
Jim could do—had built a comfortable seat which encircled its trunk, and
this seat was the special prerogative of the ladies of the Walk when it
was not occupied by Mr. Brooke-Hoskyn’s numerous progeny.
I think I have told you all that is necessary about the external
features of the Walk. You must see it with sympathetic eyes, if you are
not to laugh at it: a little crescent of six very small old red-brick
houses; in front of them, six tiny gardens full at all seasons of the
year of bright old-fashioned flowers; then the highly ornamental
railings and stately gates; then a red-brick pavement, or side-walk;
then a broad path; and then the lawn, the elm-tree, and the Gazebo.
Beyond this, the Thames, bearing great brown barges up to Richmond or
down to Chelsea, according to the state of the tide; and the Parish
Church of Chiswick, half buried in the foliage of stately trees, as a
fitting background.
You could not find a quieter, more peaceful, or more forgotten spot near
London in a month’s search; for the only way into the Walk was along a
very narrow path by the side of Pomander Creek: a path the children of
Chiswick had been sternly forbidden to use, and which even their elders
only attempted when they were more than usually sober, for fear of
falling into the creek. So, although the Walk was nominally open to the
public, it was not a thoroughfare, as you had to go out the same way as
you went in. Strangers very seldom found their way to its precincts, and
to all intents and purposes the lawn and the Gazebo had grown to be the
private property of the inhabitants. As their rooms were extremely
small, they made the lawn a sort of common drawing-room, where they
entertained each other in a modest way with a dish of tea. After Mr.
Basil Pringle and Madame Lachesnais and her daughter had come to live in
the Walk there would even be music on the lawn. Madame would bring out
her harp, Mr. Pringle his violin, and Marjolaine would sing quaint old
French ditties.
I pity the unhappy stranger who stumbled into the Walk on such an
occasion. The music would stop dead. Teacups would hang suspended
half-way to expectant lips, and all eyes would be turned on the intruder
with a stare which, if he had any marrow, would infallibly freeze it.
Then to see Sir Peter throw his chest out, march up to the stranger and
ask him what he wanted in a voice which masked a volcanic rage under
courteous tones, was to behold a thing never to be forgotten. All the
stranger could do was to stammer an apology and beat a retreat; but for
days the memory of the unknown danger he had escaped would haunt him.
Public-domain text, read in full here on John Shaqi.
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