Pomegranates from an English Garden: A selection from the poems of Robert BrowningBrowning, Robert
General
Pomegranates from an English Garden: A selection from the poems of Robert Browning
Browning, Robert
English poetry
And since he did not work thus earnestly
At all times, and has else endured some wrong—
I took one thought his picture struck from me,
And spread it out, translating it to song.
My love is here. Where are you, dear old friend?
How rolls the Wairoa at your world’s far end?
This is Ancona, yonder is the sea.
“The Guardian Angel” is given as a slight specimen of an important
class, dealing with painting and painters. In the lovely poem, “One Word
More,” Browning disclaims all ability to paint; but no one could have a
more exquisite appreciation of the art.
Has the tender pathos of these verses ever been surpassed? The calm of
heaven is in this thought spread out—translated into song. Let it be
read in connection with Spenser’s exquisite lines, beginning “And is
there care in heaven?”
“Alfred, dear friend,” is Mr. Alfred Domett, who was then Prime Minister
of New Zealand, at which far end of the world the Wairoa rolls to the
sea.
------------------------------------------------------------------------
DEAF AND DUMB.
A GROUP BY WOOLNER.
Only the prism’s obstruction shows aright
The secret of a sunbeam, breaks its light
Into the jewelled bow from blankest white;
So may a glory from defect arise:
Only by Deafness may the vexed love wreak
Its insuppressive sense on brow and cheek,
Only by Dumbness adequately speak
As favoured mouth could never, through the eyes.
This is a “gem of purest ray.” In order to understand it fully, it is
necessary to know that the “group by Woolner” is of two deaf and dumb
children—the one as if speaking, the other in the attitude of listening.
The speech denied passage through the lips, breaks out in rarer beauty
from the eyes; and for the hearing denied entrance by the ears, there
is, instead, a subtle responsiveness of brow and cheek to the spirit
utterance from the soul of the other; so that love, though “vexed,” is
not suppressed.
The exquisite beauty of the illustration of “the prism’s obstruction,”
and the tender pathos of the thought, will be manifest to every reader.
------------------------------------------------------------------------
ABT VOGLER.
(AFTER HE HAS BEEN EXTEMPORIZING UPON THE MUSICAL
INSTRUMENT OF HIS INVENTION.)
I.
Would that the structure brave, the manifold music I build,
Bidding my organ obey, calling its keys to their work,
Claiming each slave of the sound, at a touch, as when Solomon willed
Armies of angels that soar, legions of demons that lurk,
Man, brute, reptile, fly,—alien of end and of aim,
Adverse, each from the other heaven-high, hell-deep removed,—
Should rush into sight at once as he named the ineffable Name,
And pile him a palace straight, to pleasure the princess he loved!
II.
Public-domain text, read in full here on John Shaqi.
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