France -- Social life and customs -- 19th century -- Fiction; Paris (France) -- Fiction
Thinking of her daughter brought her back to the father; she saw him
sinking by degrees, day after day, down to the social mire, and even
dismissed some day from his appointment. The idea of her idol's fall,
with a vague vision of the disasters prophesied by Crevel, was such a
terror to the poor woman, that she became rapt in the contemplation
like an ecstatic.
Cousin Betty, from time to time, as she chatted with Hortense, looked
round to see when they might return to the drawing-room; but her young
cousin was pelting her with questions, and at the moment when the
Baroness opened the glass door she did not happen to be looking.
Lisbeth Fischer, though the daughter of the eldest of the three
brothers, was five years younger than Madame Hulot; she was far from
being as handsome as her cousin, and had been desperately jealous of
Adeline. Jealousy was the fundamental passion of this character,
marked by eccentricities--a word invented by the English to describe
the craziness not of the asylum, but of respectable households. A
native of the Vosges, a peasant in the fullest sense of the word,
lean, brown, with shining black hair and thick eyebrows joining in a
tuft, with long, strong arms, thick feet, and some moles on her narrow
simian face--such is a brief description of the elderly virgin.
The family, living all under one roof, had sacrificed the
common-looking girl to the beauty, the bitter fruit to the splendid
flower. Lisbeth worked in the fields, while her cousin was indulged;
and one day, when they were alone together, she had tried to destroy
Adeline's nose, a truly Greek nose, which the old mothers admired.
Though she was beaten for this misdeed, she persisted nevertheless in
tearing the favorite's gowns and crumpling her collars.
At the time of Adeline's wonderful marriage, Lisbeth had bowed to
fate, as Napoleon's brothers and sisters bowed before the splendor of
the throne and the force of authority.
Adeline, who was extremely sweet and kind, remembered Lisbeth when she
found herself in Paris, and invited her there in 1809, intending to
rescue her from poverty by finding her a husband. But seeing that it
was impossible to marry the girl out of hand, with her black eyes and
sooty brows, unable, too, to read or write, the Baron began by
apprenticing her to a business; he placed her as a learner with the
embroiderers to the Imperial Court, the well-known Pons Brothers.
Lisbeth, called Betty for short, having learned to embroider in gold
and silver, and possessing all the energy of a mountain race, had
determination enough to learn to read, write, and keep accounts; for
her cousin the Baron had pointed out the necessity for these
accomplishments if she hoped to set up in business as an embroiderer.
She was bent on making a fortune; in two years she was another
creature. In 1811 the peasant woman had become a very presentable,
skilled, and intelligent forewoman.
Public-domain text, read in full here on John Shaqi.
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