France -- Social life and customs -- 19th century -- Fiction; Paris (France) -- Fiction
The _concierges_ of Paris have sharp eyes; they do not stop visitors
who wear an order, have a blue uniform, and walk ponderously; in
short, they know a rich man when they see him.
This ground floor was entirely occupied by Monsieur le Baron Hulot
d'Ervy, Commissary General under the Republic, retired army
contractor, and at the present time at the head of one of the most
important departments of the War Office, Councillor of State, officer
of the Legion of Honor, and so forth.
This Baron Hulot had taken the name of d'Ervy--the place of his birth
--to distinguish him from his brother, the famous General Hulot,
Colonel of the Grenadiers of the Imperial Guard, created by the
Emperor Comte de Forzheim after the campaign of 1809. The Count, the
elder brother, being responsible for his junior, had, with paternal
care, placed him in the commissariat, where, thanks to the services of
the two brothers, the Baron deserved and won Napoleon's good graces.
After 1807, Baron Hulot was Commissary General for the army in Spain.
Having rung the bell, the citizen-captain made strenuous efforts to
pull his coat into place, for it had rucked up as much at the back as
in front, pushed out of shape by the working of a piriform stomach.
Being admitted as soon as the servant in livery saw him, the important
and imposing personage followed the man, who opened the door of the
drawing-room, announcing:
"Monsieur Crevel."
On hearing the name, singularly appropriate to the figure of the man
who bore it, a tall, fair woman, evidently young-looking for her age,
rose as if she had received an electric shock.
"Hortense, my darling, go into the garden with your Cousin Betty," she
said hastily to her daughter, who was working at some embroidery at
her mother's side.
After curtseying prettily to the captain, Mademoiselle Hortense went
out by a glass door, taking with her a withered-looking spinster, who
looked older than the Baroness, though she was five years younger.
"They are settling your marriage," said Cousin Betty in the girl's
ear, without seeming at all offended at the way in which the Baroness
had dismissed them, counting her almost as zero.
The cousin's dress might, at need, have explained this free-and-easy
demeanor. The old maid wore a merino gown of a dark plum color, of
which the cut and trimming dated from the year of the Restoration; a
little worked collar, worth perhaps three francs; and a common straw
hat with blue satin ribbons edged with straw plait, such as the
old-clothes buyers wear at market. On looking down at her kid shoes,
made, it was evident, by the veriest cobbler, a stranger would have
hesitated to recognize Cousin Betty as a member of the family, for she
looked exactly like a journeywoman sempstress. But she did not leave
the room without bestowing a little friendly nod on Monsieur Crevel,
to which that gentleman responded by a look of mutual understanding.
"You are coming to us to-morrow, I hope, Mademoiselle Fischer?" said
he.
Public-domain text, read in full here on John Shaqi.
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