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inclined to quarrel with him as a renegade, and even went so far as to
send him a volume of Browning's poems with _The Lost Leader_ heavily
marked in red pencil. Considering that Crutchley was making more money
with his gargoyles than himself with his novels John resented the
accusation of having deserted his friend for a handful of silver; and as
for the ribbon which he was accused of putting in his coat, John thought
that the architect was the last person to underline such an accusation,
when himself for the advancement of his work had joined every
ecclesiastical society from the English Church Union to the Alcuin Club.
There was not a ritualistic parson in the land who wanted with or
without a faculty to erect a rood or reredos but turned to Crutchley for
his design, principally because his watch-chain jingled with religious
labels; although to do him justice, even when he was making L6000 a year
he continued to attend Choral Eucharists as regularly as ever. When John
abandoned realistic novels and made a success as a romantic playwright
his friend welcomed him back to the Gothic fold with emotion and
enthusiasm.
"You and I, John, are almost the only ones left," the architect had
said, feelingly.
"Come, come, Stephen, you mustn't talk as if I was William de Morgan.
I'm not yet forty, and you're not yet forty-five," John had replied,
slightly nettled by this ascription of them to a bygone period.
Yet with all his absurdities and affectations Stephen was a fine fellow
and a fine architect, and when soon after this he had agreed to take
Hugh into his office John would have forgiven him if he had chosen to
perambulate Chelsea in doublet and hose.
Thinking of Stephen as he had known him for twenty years John had no
qualms when on Monday morning he ascended the winding stone steps that
led up to his office in the oldest portion of Staple Inn; nor apparently
had Hugh, who came in as jauntily as ever and greeted his brother with
genial self-possession.
"I thought you'd blow in this morning. I betted Aubrey half-a-dollar
that you'd blow in. He tells me you went off in rather a bad temper on
Saturday night. But you were quite right, Johnnie; that port of George's
is not good. You were quite right. I shall always respect your verdict
on wine in future."
"This is not the moment to talk about wine," said John, angrily.
"I'm afraid that owing to George and his confounded elderberry ink I
didn't put my case quite as clearly as I ought to have done," Hugh went
on, serenely. "But don't worry. As soon as you've settled with Stevie, I
shall tell you all about it. I think you'll be thrilled. It's a pity
you've moved into Wardour Street, or you might have made a good story
out of it."
One of the clerks came back with an invitation for John to follow him
into Mr. Crutchley's own room, and he was glad to escape from his
brother's airy impenitence.
Public-domain text, read in full here on John Shaqi.
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