"Wonderful how Stevie acts up to the part, isn't it?" commented Hugh, when he saw John looking round him at the timbered rooms with their ancient furniture and medieval blazonries through which they were passing. "I prefer to see Crutchley alone," said John, coldly. "No doubt he will send for you when your presence is required." Hugh nodded amiably and went over to his desk in one of the latticed oriel windows, the noise of the Holborn traffic surging in through which reminded the listener that these perfectly medieval rooms were in the heart of modern London. "I should rather like to live in chambers here myself," thought John. "I believe they would give me the very atmosphere I require for Joan of Arc; and I should be close to the theaters." This project appealed to him more than ever when he entered the architect's inmost sanctum, which containing nothing that did not belong to the best period of whatever it was, wrought iron or carved wood or embroidered stuff, impressed John's eye for a scenic effect. Nor was there too much of it: the room was austere, not even so full as a Carpaccio interior. Modernity here wore a figleaf; wax candles were burned instead of gas or electric light; and even the telephone was enshrined in a Florentine casket. When the oaken door covered with huge nails and floriated hinges was closed, John sat down upon what is called a Glastonbury chair and gazed at his friend who was seated upon a gilt throne under a canopy of faded azure that was embroidered with golden unicorns, wyverns, and other fabulous monsters in a pasture of silver fleurs-de-lys. "Have a cigar," said the Master, as he liked to be called, pushing across the refectory table that had come out of an old Flemish monastery a primitive box painted with scenes of saintly temptations, but lined with cedar wood and packed full of fat Corona Coronas. "It seems hardly appropriate to smoke cigars in this room," John observed. "Even a churchwarden-pipe would be an anachronism here." "Yes, yes," Stephen assented, tossing back his hair with the authentic Vikingly gesture. "But cigars are the chief consolation we have for being compelled to exist in this modern world. I haven't seen you, John, since you returned from America. How's work?" "_Lucretia_ went splendidly in New York. And I'm in the middle of _Joan of Arc_ now." "I'm glad, I'm glad," the architect growled as fiercely as one of the great Victorians. "But for Heaven's sake get the coats right. Theatrical heraldry is shocking. And get the ecclesiastical details right. Theatrical ritual is worse. But I'm glad you're giving 'em Joan of Arc. Keep it up, keep it up. The modern drama wants disinfecting." "I suppose you wouldn't care to advise me about the costumes and processions and all that," John suggested, offering his friend a pinch of his romantic Sanitas.