For an hour the two people walked about and Clara talked. She forgot
about the passage of time and the fact that she had not dined. Not
wishing to talk of marriage, she talked instead of the possibility of
friendship between men and women. As she talked her own mind seemed to
her to have become clearer. “It's all foolishness your going on as you
have,” she declared. “I know how dissatisfied and unhappy you sometimes
are. I often feel that way myself. Sometimes I think it's marriage I
want. I really think I want to draw close to some one. I believe every
one is hungry for that experience. We all want something we are not
willing to pay for. We want to steal it or have it given us. That's
what's the matter with me, and that's what's the matter with you.”
They came to the Woodburn house, and turning in stood on a porch in the
darkness by the front door. At the back of the house Clara could see
a light burning. Her aunt and uncle were at the eternal figuring and
knitting. They were finding a substitute for living. It was the thing
Frank Metcalf was protesting against and was the real reason for her
own constant secret protest. She took hold of the lapel of his coat,
intending to make a plea, to urge upon him the idea of a friendship that
would mean something to them both. In the darkness she could not see his
rather heavy, sullen face. The maternal instinct became strong in her
and she thought of him as a wayward, dissatisfied boy, wanting love and
understanding as she had wanted to be loved and understood by her father
when life in the moment of the awakening of her womanhood seemed ugly
and brutal. With her free hand she stroked the sleeve of his coat. Her
gesture was misunderstood by the man who was not thinking of her words
but of her body and of his hunger to possess it. He took her into his
arms and held her tightly against his breast. She tried to struggle, to
tear herself away but, although she was strong and muscular, she found
herself unable to move. As he held her uncle, who had heard the two
people come up the steps to the door, threw it open. Both he and his
wife had on several occasions warned Clara to have nothing to do with
young Metcalf. One day when he had sent flowers to the house, her aunt
had urged her to refuse to receive them. “He's a bad, dissipated, wicked
man,” she had said. “Have nothing to do with him.” When he saw his niece
in the arms of the man who had been the subject of so much discussion
in his own house and in every respectable house in Columbus, Henderson
Woodburn was furious. He forgot the fact that young Metcalf was the son
of the president of the company of which he was treasurer. It seemed
to him that some sort of a personal insult had been thrown at him by a
common ruffian. “Get out of here,” he screamed. “What do you mean, you
nasty villain? Get out of here.”
Public-domain text, read in full here on John Shaqi.
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