And then in Turner's Pike something happened. A farmer boy, who had been
to town and who had the daughter of a neighbor in his buggy, stopped in
front of the house. A long freight train, grinding its way slowly past
the station, barred the passage along the road. He held the reins in one
hand and put the other about the waist of his companion. The two heads
sought each other and lips met. They clung to each other. The same moon
that shed its light on Rose McCoy in the distant farmhouse lighted the
open place where the lovers sat in the buggy in the road. Hugh had to
close his eyes and fight to put down an almost overpowering physical
hunger in himself. His mind still protested that women were not for him.
When his fancy made for him a picture of the school teacher Rose
McCoy sleeping in a bed, he saw her only as a chaste white thing to be
worshiped from afar and not to be approached, at least not by himself.
Again he opened his eyes and looked at the lovers whose lips still clung
together. His long slouching body stiffened and he sat up very straight
in his chair. Then he closed his eyes again. A gruff voice broke the
silence. “That's for Mike,” it shouted and a great chunk of coal thrown
from the train bounded across the potato patch and struck against the
back of the house. Downstairs he could hear old Mrs. McCoy getting out
of bed to secure the prize. The train passed and the lovers in the
buggy sank away from each other. In the silent night Hugh could hear the
regular beat of the hoofs of the farmer boy's horse as it carried him
and his woman away into the darkness.
Public-domain text, read in full here on John Shaqi.
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