The village of Tombolo, in the province of Padua and the diocese of
Treviso, is surrounded by hilly and well-wooded country, watered by
the tributary streams of the Brenta. The parish church, St. Andrew's,
stands in the centre of the little township. Tombolo boasts of no
commercial industries; it is a pastoral country, and the greater part
of the population is occupied in dairy farming and the rearing of
cattle. The people have clearly marked characteristics; strong and
robust in build, hardened to sun, rain, and wind, rough-voiced and
somewhat ungentle in manner, they have, nevertheless, good hearts and
are in their own way religious.
But the Tombolani have one vice--or had when Don Giuseppe became;
their curate. They swore systematically and profusely at everything,
at each other, and at the world at large. "No offence is intended to
Almighty God," they explained ingenuously to the horrified young
priest. "He certainly understands. Just go to market, and try to sell
your beasts and your grain with a 'please' and a 'thank you,' and you
will see what you will get!"
There may have been some truth in this; and intention, no doubt, goes
a long way; but the argument did not satisfy Don Giuseppe. For the
moment he dropped the subject, but he had not done with it.
The rector of the parish, Don Antonio Costantini, was habitually
ailing. Devoted to his people and wholly desirous to do them good,
his ill-health was a constant impediment. He had many tastes in
common with his curate, notably the love of music and of biblical and
patristic studies. He soon learnt to look upon Don Giuseppe as a son,
and highly appreciated his good qualities.
"They have sent me a young man as curate," he wrote to a friend,
"with orders to form him to the duties of a parish priest. I assure
you it is likely to be the other way about. He is so zealous, so full
of common sense and other precious gifts that I could find much to
learn from him. Some day he will wear the mitre--of that I am
certain--and afterwards? Who knows?"
The good rector nevertheless did his best to fulfil his commission.
"Don Bepi," he would say to his young curate, "I did not quite like
this or that in your last sermon." When the church was empty he would
make Don Bepi go into the pulpit and preach, criticizing and
commenting the while both on matter and method; comments well worth
having, for Don Antonio was a man of wide learning and an excellent
theologian. Meanwhile Don Bepi, whose sermons were already becoming
famous throughout the countryside for their zeal and eloquence, would
listen humbly and promise to try to do better.
Public-domain text, read in full here on John Shaqi.
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