How can the two parts of this double existence harmonize? How is it
possible for those whose minds are thus bewildered, and who have formed
this inveterate habit of indulging in sentimental reverie, to engage
heartily in the performance of commonplace duties? The inevitable result
of excessive novel-reading is a distaste, if not an incapacity, for the
sober thought and patient effort which are the price of success in every
worthy path of life.
4. _Excessive novel-reading creates an overgrowth of the passions._
The novel-reader naturally, and perhaps unconsciously, becomes
identified with the personage in the story who is nearest to what he or
she would like to be. With the book in his hand, and his whole soul for
the time being wrapped up in the exciting history, the young man ceases
to be the apprentice, the clerk, the student, the farmer's boy, the
plain John or Peter of his real self. He is merged in the hero of the
story, handsome in person, brilliant in mind, endowed with every
excellence, and bearing a name of at least three syllables. He becomes
the ardent suitor of the beautiful lady, the heiress of the immense
estate. The burning words in which love is portrayed are his words. The
whole thing becomes so far a reality that it has something of the force
of a genuine experience; and he feels happy, or grows melancholy with
the varying futures of his imaginary passion.
Now, if Peter be a boy of fifteen, it is tolerably evident that he is
advancing a little too fast in his sentimental career. Like a certain
variety of pears described in the fruit books, there is danger of his
being rotten before he is ripe. He is meditating matrimony when he has
scarcely got beyond the limits of marbles and green apples. He looks
around at the little girls to see which of them is the princess in
disguise; and soon imagines that he is desperately in love with some
little damsel in the neighborhood, and seeing that in this dreadful
world disappointment is always possible, he begins to canvass the most
picturesque and pathetic modes of committing suicide, in case the
ferocious uncle should interfere, as he did in the book.
The young lady is similarly affected. She fancies herself the beautiful
heroine of the story, rich, accomplished, and, romantically, wretched.
She, too, begins to look about for the model lover who lays his hand
upon his heart, lifts his tearful face toward heaven, and says pretty
things. She feels disdain for the plain young men of her acquaintance,
and perhaps fixes her eyes upon some flashy stranger, whose unknown
antecedents give her a chance to invest him with all the impossible
perfections her romantic fancy is able to invent.
Public-domain text, read in full here on John Shaqi.
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