Popular lectures on scientific subjects : $b Second series, with an autobiography of the authorHelmholtz, Hermann von
Science
Popular lectures on scientific subjects : $b Second series, with an autobiography of the author
Helmholtz, Hermann von
Science; Universities and colleges -- Germany
The number of measurements necessary to give the position of a point,
is equal to the number of dimensions of the space in question. In a
line the distance from one fixed point is sufficient, that is to say,
one quantity; in a surface the distances from two fixed points must
be given; in space, the distances from three; or we require, as on
the earth, longitude, latitude, and height above the sea, or, as is
usual in analytical geometry, the distances from three co-ordinate
planes. Riemann calls a system of differences in which one thing can
be determined by _n_ measurements an ‘_n_fold extended aggregate’ or
an ‘aggregate of _n_ dimensions.’ Thus the space in which we live is
a threefold, a surface is a twofold, and a line is a simple extended
aggregate of points. Time also is an aggregate of one dimension. The
system of colours is an aggregate of three dimensions, inasmuch as each
colour, according to the investigations of Thomas Young and of Clerk
Maxwell,[7] may be represented as a mixture of three primary colours,
taken in definite quantities. The particular mixtures can be actually
made with the colour-top.
[Footnote 7: Helmholtz’s _Popular Lectures_, Series I. p. 243.]
In the same way we may consider the system of simple tones[8] as
an aggregate of two dimensions, if we distinguish only pitch and
intensity, and leave out of account differences of timbre. This
generalisation of the idea is well suited to bring out the distinction
between space of three dimensions and other aggregates. We can, as
we know from daily experience, compare the vertical distance of two
points with the horizontal distance of two others, because we can apply
a measure first to the one pair and then to the other. But we cannot
compare the difference between two tones of equal pitch and different
intensity, with that between two tones of equal intensity and different
pitch. Riemann showed, by considerations of this kind, that the
essential foundation of any system of geometry, is the expression that
it gives for the distance between two points lying in any direction
towards one another, beginning with the infinitesimal interval. He took
from analytical geometry the most general form for this expression,
that, namely, which leaves altogether open the kind of measurements
by which the position of any point is given.[9] Then he showed that
the kind of free mobility without change of form which belongs to
bodies in our space can only exist when certain quantities yielded by
the calculation[10]--quantities that coincide with Gauss’s measure of
surface-curvature when they are expressed for surfaces--have everywhere
an equal value. For this reason Riemann calls these quantities,
when they have the same value in all directions for a particular
spot, the measure of curvature of the space at this spot. To prevent
misunderstanding,[11] I will once more observe that this so-called
measure of space-curvature is a quantity obtained by purely analytical
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