Brongniart, director at Sèvres, 303 ---- sells stock of undecorated Sèvres soft paste, 304 ---- introduces severe type of paste, 307 ---- his influence at Sèvres, 308-309 Bronzes, early Chinese, influence of shapes on porcelain, 57 Brown glazes of Chinese, 74 _note_ Brühl, Count, armorial china for, 253 Brunswick, Duke of, and Fürstenberg porcelain, 265 Buen Retiro, Madrid, porcelain factory at, 322-324 Buonicelli, director at Buen Retiro, 323 Burke at Bristol, 383 Burleigh House, early Chinese porcelain formerly at, 85, 222 Bushell, Dr., work on Chinese porcelain, 15, 54, 91, 153 ---- translations from Chinese works on Korea, 171 ---- manuscript, 61 ---- ---- quoted, 86, 138 _Cailloux_ in French porcelain, 16 Canton, early Arab trade, 209 ---- enamellers on porcelain, 108, 114, 164, 165 Capo di Monte, Naples, porcelain factory at, 318-320 Capo di Monte factory removed to Portici, 320 Carlos, Don, at Naples, makes porcelain, 319 ---- ---- now Charles III. of Spain, carries his workmen to Buen Retiro, 319 _Cassettes._ _See_ Seggars. Casting, process described, 25, 354 ---- used for Derby statuettes, 354 Catherine II., her Sèvres dinner-service, 298 Caughley porcelain, 365 Celadon glazes, 42 ---- word used in restricted sense, 64 ---- of Sung dynasty, 63-65, 132, 144 ---- origin of term, 64 _note_ ---- early examples in European collections, 71 ---- later Chinese ware, 145 ---- made in Siam, 173, 212 _note_ ---- Japanese, 192, 195, 197 ---- old pieces in Japan, 178, 201 ---- (martabani) in Persia, 215 ---- earliest specimen at Oxford, 218 Censors, influence of, on Chinese arts, 74 Ch’ai yao, early Chinese ware, 62 _Chambrelans_ or chamberers, term explained, 303 Champion, R., 375, 377, 379, 382-383 Chang, the elder and younger brothers, 65 _Cha-no-yu_, Japanese tea ceremony, 178 Chantilly, porcelain made at, 285-287 ---- sprig pattern, 286 ---- marks on porcelain, 287 Chao Ju-kua, his report on early Chinese trade, 210 Chardin on porcelain in Persia, 215 Charlottenburg factory, 389, 391 Chelsea-Derby porcelain, 341, 352-355 ---- ---- marks on, 352 ---- ---- new forms introduced, 352-353 ---- ---- statuettes made by ‘casting,’ 354 Chelsea factory, site of, 335 ---- ---- end of, 341 ---- porcelain, 331-342 Chelsea porcelain, an early ware, 332 ---- ---- marks on earliest pieces, 332 ---- ---- Japanese wares imitated, 336 ---- ---- sales of, 337, 341 ---- ---- claret colour on, 338, 340 ---- ---- use of gold on, 338 ---- ---- rococo forms, 339 ---- ---- turquoise on, 339 ---- ---- statuettes, 340 ---- ---- models of birds and fruit, 340 ---- ---- marks on, 342 Cheng-hua (1464-87), use of date-mark, 82 ---- enamelled ware, 86 ---- porcelain of, 93 Cheng-tai enamels on copper, 88, 93 Cheng-te (1505-21), porcelain of, 94 Cheng-tung (1435-49), double date-mark, 93 Cheyne Row called China Row, 333 ‘Chicken cups’ of Cheng-hua, 93 Chicoineau family, 240, 282, 284, 288