African American men -- Fiction; Charleston (S.C.) -- Fiction; Love stories; People with disabilities -- Fiction
There was great rejoicing in Catfish Row. Peter had returned. The ten
dollar bill which Archdale had given Porgy had worked the miracle.
Except for the fact that the old negro’s shoulders drooped, and his grip
on actualities seemed weakened by his confinement, there was no evidence
to show that he had been absent. He had gone to the horse-dealer, and
had found his ancient beast still awaiting a purchaser. Another contract
had been signed which had started him off again on the eternal weekly
payment. The German had driven back with the furniture, which Peter had
docilely purchased for the second time. Again “The Great Emancipator”
had been hung in his accustomed place above the mantel. Now, each
morning, the old wagon rattled out over the cobbles, with the usual
number of small, ecstatic, black bodies pendant from its dilapidated
superstructure.
“De buckra sho pots nigger figgered out tuh a cent!” said Peter
philosophically, and even with a note of admiration in his voice. “Dem
knows how much money wagon make in er week; an’ de horse man, de
furniture man, an’ de lan’lo’d mek dey ’rangement’ accordin’. But I done
lib long ’nough now tuh beat ’em all, ’cause money ain’t no use tuh a
man attuh he done pass he prime, nohow.”
When the old man had settled firmly back into his nook, and had an
opportunity to look about him, he noticed a change in Porgy.
“I tell yuh dat nigger happy,” he said to Serena, one evening while they
were smoking their pipes together on her washing bench.
“Go ’long wid yuh!” she retorted. “Dat ’oman ain’t de kin’ tuh mek man
happy. It tek a killer like Crown tuh hol’ she down.”
“Dat may be so,” agreed the old man sagely. “But Porgy don’ know dat
yit. An’ ’side, ef a man is de kin’ wut needs er ’oman, he goin’ be
happy regahdless. Him dress she up in he own eye till she look lak de
Queen of Sheba tuh um. Porgy t’ink right now dat he gots a she-gawd in
he room.”
“He sho’ gots de kin’ wut goin’ gib um hell,” Serena commented
cynically. “Dat ’oman ain’t fit tuh ’sociate wid. Much as I like Porgy,
I wouldn’t swap t’ree wo’d wid she.”
“Dat’s all so, Sister,” conceded Peter. “But yuh keep yo’ eye on Porgy.
He usen tuh hate all dese chillen. Ain’t he? Now watch um. Ebery day
w’en he come home he gots candy-ball fuh de crowd. An’ wut mo’,
yistuhday I hyuh he an’ she singin’ tuhgedduh in dey room.”
Serena motioned to him to be quiet. Porgy’s woman crossed the court to
draw a bucket of water from the common tap near Serena’s corner. She was
neatly dressed, and passed them as though they did not exist. Filling
her pail, she swung it easily to her head, and, steadying it lightly
with one hand, returned close to them with an air of cool scorn that
produced entirely different effects upon her two observers. Serena
watched her departure in silence.
Public-domain text, read in full here on John Shaqi.
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