African American men -- Fiction; Charleston (S.C.) -- Fiction; Love stories; People with disabilities -- Fiction
Bess sat for a long while without moving. The sun lifted over the high
wall, and drove its white-hot tide into her lap, and upon her folded
hands.
“Wut mek yuh ain’t mobe intuh de shade?” a neighbor asked curiously.
Bess looked up and smiled.
“I jes’ settin’ hyuh t’inkin’ ’bout muh frien’,” she said. “Yuh done
hear um call me ‘Sister,’ ain’t yuh? Berry well den. Dat mean me and she
is frien’.”
§
Bess lay upon the bed in Porgy’s room and stared at the ceiling with
hard, bright eyes. From time to time she would pluck at the sheet that
covered her and utter hurried, indistinct sentences that bore not the
slightest relation to existing circumstances. A week had passed since
her release, and its seven interminable days had been spent in this
fashion.
Porgy was out upon the day’s rounds. Occasionally the door to the
sick-room would open, and an awed, black face peer in. The mystery of
delirium frightened and perplexed the negroes, and limited the
manifestations of kindness and sympathy that they usually bestowed upon
unfortunate friends. Even Maria was not proof against this dread, and
the irrelevant observations that greeted her when she went in with the
daily lunch sent her hurrying wide-eyed from the room.
Porgy returned early in the evening. His face was deeply marked, but the
lines were those of anxiety, and his characteristic firmness of mouth
and jaw was gone. He closed the door on the curious glances of his
neighbors, and lifted himself to a seat upon the bed.
“How Bess now?” he asked softly.
She shifted her gaze from the ceiling to his face.
“Eighteen miles tuh Kittiwar!” she muttered. “Rattlesnake’, palmettuh
bush, an’ such.”
Her eyes were suddenly fearful, and she closed her hand tightly upon
his.
Porgy cast a hurried glance over his shoulder. Then, reassured, stroked
her brow, and comforted her in his deep, gentle voice.
“Yuh hyuh wid Porgy now; an’ nuttin’ can’t hurt yuh. Soon de cool wedder
comin’ an’ chill off dese febers. Ain’t yuh ’member how dat cool win’
come tuh town wid de smell ob pine tree: an’ how de star is all polish
up lak w’ite folks’ silber? Den ebbery body git well. Ain’t yuh know?
Yuh jus’ keep still, an’ watch wut Porgy say.”
She was silent after that, and closed her eyes. Presently, to his
relief, he saw that she was sleeping. This was the moment for which he
had been waiting. He went out, closing the door very gently, and joined
a group of sympathisers in the court.
“Wut we goin’ do now?” he asked. “A week gone, an’ she ain’t none
better.”
Peter knocked out his clay pipe on a flagstone, with three staccato
little raps, thus gaining the attention of the circle.
“Ef yuh wants tuh listen tuh me,” he remarked weightily, “I adwise yer
tuh sen’ she tuh de w’ite folk’ hospital.”
His words were received with a surprise amounting to incredulity.
“Fuh Gawd sake, Daddy Peter!” an awed voice said at last. “Ain’t yuh
knows dey lets nigger die dey, so dey kin gib um tuh de student?”
Public-domain text, read in full here on John Shaqi.
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