African American men -- Fiction; Charleston (S.C.) -- Fiction; Love stories; People with disabilities -- Fiction
The first horizontal rays of the sun were painting the wall a warm
claret, when Porgy opened his door, to find Peter already dressed for
the parade, and perched upon the back of his gaily blanketed horse. He
wore a sky-blue coat, white pants which were thrust into high black
leggings, and a visored cap, from beneath which he scowled fiercely down
upon the turmoil around the feet of his mount. Across his breast, from
right shoulder to left hip, was a broad scarlet sash, upon which was
emblazoned, “Repent Ye Saith the Lord!” and from his left breast
fluttered a white ribbon bearing the word “MARSHAL.” From time to time,
he would issue orders in hoarse, menacing gutturals, which no one
heeded; and twice, in the space of half an hour, he rode out to the
pier-head, counted the watermelons, and returned to report the number to
an important official who had arrived in a carriage to supervise the
arrangements.
Momently the confusion increased, until at eight o’clock it culminated
in a general exodus toward the rendezvous for the parade.
The drowsy old city had scarcely commenced its day when, down through
King Charles Street, the procession took its way. Superbly
unselfconscious of the effect that it produced, it crashed through the
slow, restrained rhythm of the city’s life like a wild, barbaric chord.
All of the stately mansions along the way were servantless that day, and
the aristocratic matrons broke the ultimate canon of the social code and
peered through front windows at the procession as it swept flamboyantly
across the town.
First came an infinitesimal negro boy, scarlet-coated, and aglitter with
brass buttons. Upon his head was balanced an enormous shako; and while
he marched with left hand on hip and shoulders back, his right hand
twirled a heavy gold-headed baton. Then the band, two score boys attired
in several variations of the band master’s costume, strode by. Bare,
splay feet padded upon the cobbles; heads were thrown back, with lips to
instruments that glittered in the sunshine, launching daring and
independent excursions into the realm of sound. Yet these improvisations
returned always to the eternal boom, boom, boom of an underlying rhythm,
and met with others in the sudden weaving and ravelling of amazing
chords. An ecstasy of wild young bodies beat living into the blasts that
shook the windows of the solemn houses. Broad, dusty, blue-black feet
shuffled and danced on the many-colored cobbles and the grass between
them. The sun lifted suddenly over the housetops and flashed like a
torrent of warm, white wine between the staid buildings, to break on
flashing teeth and laughing eyes.
After the band came the men members of the lodge, stepping it out to the
urge of the marshals who rode beside them, reinforcing the marching
rhythm with a series of staccato grunts, shot with crisp, military
precision from under their visored caps. Breast cross-slashed with the
emblems of their lodge, they passed.
Public-domain text, read in full here on John Shaqi.
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