African American men -- Fiction; Charleston (S.C.) -- Fiction; Love stories; People with disabilities -- Fiction
It was Porgy’s custom, when the day’s work was done and he had exchanged
a part of his collections for his evening meal of fish and bread, to
sit at his front window and watch the world pass by. The great cotton
wharves lay up the river, beyond the Row; and when the cotton season was
on, he loved to sit in the dusk and see the drays go by. They would
sweep into view with a loud thunder of wheels on the cobbles; and from
his low seat they loomed huge and mysterious in the gathering dark.
Sometimes there would be twenty of them in a row, with great
swiftly-stepping mules, crouched figures of drivers, and bales piled
toweringly above them. Always Porgy experienced a vague and not
unpleasant fear when the drays swung past. There was power, vast,
awe-inspiring; it could so easily crush him were he in its path. But
here, safe within his window, he could watch it with perfect safety. At
times when the train was unusually long, the sustained, rhythmic thunder
and the sweep of form after form past his window produced an odd
pleasurable detachment in his mind, and pictures of strange things and
places would brighten and fade. But the night following the killing, the
window was closed, and through the open door behind him beat the rhythm
of a dirge from Robbins’ room.
“What de matter, chillen?” came the strophe. And the antistrophe
swelled to the answer:
“Pain gots de body, an’ I can’t stan’ still.”
Porgy sat upon his floor counting the day’s collection: one dollar and
twenty cents. It had been a good day. Perhaps the sorrow that had
brooded over his spirit had quickened the sympathy of the passers-by.
“What de matter, Sister?”
“Jedus gots our brudder, an’ I can’t stan’ still.”
Ever since Porgy had come home the air had swung to the rhythm of the
chant. He divided his pile into equal portions, and commenced to pocket
one. The burden swayed out again.
“Pain gots de body, an’ I can’t stan’ still.”
He hesitated a moment, poured all the coins together again, selected a
twenty-five-cent piece which he put into his pocket, and, taking the
remainder in his hand, went out and drew himself across the short
distance to the room of mourning.
The body lay upon a bed in the corner of the room, sheeted to the eyes,
and upon its breast rested a large blue saucer. Standing in a circle
about the bed, or seated upon the floor, backs to the wall, were a score
of negroes, some singing, and others swaying, patting the floor with
their large feet. For not a single moment since the body had been laid
out had the rhythm slackened. With each hour it gathered weight until it
seemed to swing the massive structure.
Public-domain text, read in full here on John Shaqi.
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